One of the good things about working at my bookstore is that I can peruse any magazine I want without having to pay for it. Today’s unlikely canditate was Vogue which I was skimming looking for anything by my favorite food writer Jeffrey Steingarten. No dice. Instead I came across an article about NPR’s Anne Garrels who NPR listeners will recall from her gut wrenching reports from Bagdhad during the war. According to the writer of the article Farrar, Straus & Giroux will be releasing Garrel’s book about the war, Naked in Baghdad, this September. Something to look forward to. In other news, I’m about to get my phone number put on the new nationwide do not call list because there are few things that I dislike more than telemarketers. Have a good weekend…
In a List at McSweeney’s, Chris Steck ponders what might happen when Sue Grafton runs out of letters for her series of novels (she’s up to S is for Silence, so letters are running short). Steck posits that F1 Is for Help might be a good option. He’s got some other ideas too.James Patterson was much smarter to go with his number-based series. Infinite possibilities there, literally. Though I should note that as of this writing, Patterson’s latest at Amazon is listed as The 6th Nanny even though the accompanying book cover shows the title as The 6th Target. That’s a lot of nannies, sure, but it doesn’t seem to point to quite gripping enough a premise for his fans.(via)Update: Fun’s over. Amazon has fixed the title of Patterson’s book.
Tonight’s installment of the Pacific Standard Fiction Series here in Brooklyn features Samantha Hunt, author of The Invention of Everything Else, and Alex Rose, author of The Musical Illusionist. Both books feature inventors working at the turn of the last century, and so “invention” is the night’s theme. Books will be for sale on-site, and drink specials will be chosen by dartboard. The reading starts at 7 p.m. Hope to see you there! (For more information, see Time Out.)
The Hag points us to this humorous but heartbreaking article about the declining fortunes of freelance journalists. Though I’m not at the moment trying to make it as a freelance journalist, I’ve always thought it something I might like to try. You know: the freedom, the romantic life of the roving freelancer, the potential for glory on glossy pages, all that. But, according to Ben Yagoda, things aren’t as they once were. Even the quality of the rejection letters has declined substantially:A friend of mine, who never got published in The New Yorker, still treasures the bunch of hand-typed and personal rejection letters he got in the late ’70s and early ’80s from William Shawn. That’s so 20th century. These days, you’re lucky to get a form letter. The pocket veto – that is, the unreturned e-mail, letter, or phone call – has become an accepted way of turning down ideas and submissions, even from longtime contributors.
“Calvin and Hobbes” has begun reappearing – in reruns – in newspaper funny pages around the country as a way to promote what will surely be among the big-ticket book gifts during the upcoming holiday season, The Complete Calvin and Hobbes. The 1440 page, 22 and a half pound, three volume, slipcased behemoth is an attempt by the publisher Andrews McNeel to recreate the success of its similarly mammoth offering from two years ago, The Complete Far Side. Judging from the current Amazon ranking of the Calvin and Hobbes book (81), it looks like another high-priced winner for the publisher. Meanwhile, Bill Watterson, the famously reclusive artist behind the strip, is still not speaking publicly, and newspapers around the country are notifying their readers of the beloved strip’s brief return with a palpable sense of disappointment. For example in the St. Petersburg Times:We announce their return with, shall we say, bridled joy. For starters, this is not permanent; Universal Press Syndicate is offering the feature only through Dec. 31. And the strips have been published before.Will Watterson ever make a comeback, as, I suspect, so many newspaper comics fans hope, or should we just shell out the dough for this voluminous shrine to the best strip to grace the funny pages, well, in my lifetime, anyway. (With apologies to “Bloom County.”)
No, Amazon isn’t tagging its customers, but apparently, customers are beginning to tag Amazon. (For those who don’t know what I’m talking about, “tagging” is basically adding pieces of meta-data, descriptive keywords for example, to an object (in Amazon’s case, books and electronics). Right now there are a lot of sites that let their audience do the “tagging,” in an effort to harness the collective descriptive power of the community.) A few months back, I surmised that Amazon was entering the realm of tagging with features like “Capitalized Phrases” and “Statistically Improbable Phrases.” Now they are allowing customers to add descriptors to book pages. Apparently Amazon is still testing this out, so if you can’t see it yet (and you want to), go to Kokogiak where he’s got the full rundown including links to screenshots.I also noticed that Amazon has expanded slightly on its wildly popular “Amazon.com Sales Rank” feature. Now you can see where the book in question ranked yesterday compared to today. For example, as of this writing, The Kite Runner is ranked at “#16 in books,” while yesterday it ranked “#17 in books.”
I am a loyal subscriber to The Paris Review, which, for my money, is still the best literary journal on the market. With the most recent issue came a bookmark noting the launch of a new Paris Review online feature. It seems that founder and long-time editor George Plimpton had always wanted to make the hundreds of interviews the journal had published as part of its series “The Art of Fiction” available to anybody, anywhere, anytime. Now, thanks to the miracle of the interweb, that dream is a reality. “The DNA of Literature” is a complete catalogue of every interview The Paris Review has ever published. The series is being posted by decade every few weeks. The 1950s are up there right now, available as easily printable PDFs. The best of the excerpts shown on the page: William Saroyan on when he writes: “I like to stay up late at night and get drunk and sleep late…. The afternoon is the only time I have left…”Also, the DNA of Literature was paid for by a grant from the National Endowment for the Arts. I encourage anyone and everyone to check it out, if only so they may one day say to their grandkids, “There once was this thing called the National Endowment for the Arts…”And for anyone who is more into the whole aural side of interviews, I recommend the very strange yet wonderful “Live from Prairie Lights” series. This is a live interview show taped right here in Iowa City featuring interviews with writers like Marilynne Robinson, Max Allan Collins, Jeff Shaara, and many more. The interviewer is a rather eccentric woman who has become a local celebrity around this town. You can listen to the events live or hear clips from previous interviews via Real Player. It’s a hoot!