The Millions Interview

A Pained Intuition and a Palpable Longing: Katie Ford on Theology, Poetry, and the Unknowable

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What prayer and poetry have in common is that they both must be revised. I think people need to witness what they are actually saying in their prayers.
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The Millions Interview

Words, Ever Unreliable: The Millions Interviews Zoje Stage

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To a certain degree, Hanna knows she'll lose her identity if she begins speaking, and that frightens her. Who will she become?
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The Millions Interview

You Don’t Have Privacy, so Instead You Have Secrecy: The Millions Interviews D. Wystan Owen

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I think the reason I like books is because you get to enter into this world where you’re alone. You enter this world where you don’t even exist.
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The Millions Interview

Making Things Up: The Millions Interviews Elliot Reed

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This goes back to my brief tenure as the head writer of the blog “How to Start Your Own Handyman Business.” I am not a handyman. Never have been.
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The Millions Interview

An Element of Perversity: The Millions Interviews Katharine Kilalea

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I do miss the modernist project’s ambition to tackle death, love, the meaning of life. I’m still anxious about the meaning of life!
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The Millions Interview

Bina Shah and Joseph Olshan: An Author/Editor Pair on Inspiration, Switching Genre, and the Edit Process

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How I shape my story, mold it, form it and direct it is my craft, but it's already there on some plane that I'm accessing as I write.
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The Millions Interview

Jordy Rosenberg and Andrea Lawlor on Exploding Narrative Structure and Theory Posturing

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I wanted always to be around other queers and other seekers, and the world of queer theory was a world of queer seekers.
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The Millions Interview

Lucy Tan and Crystal Hana Kim Discuss Societal Roles, War, Secrets, and the Complications of Love

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Both novels explore the impact of political history, of money and power, and of the damaging effects of gender roles.
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The Millions Interview

Writing Something Irresponsible: The Millions Interviews Andrew Martin

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I wanted to write something irresponsible, or at least not worry about whether or not I was following the rules of proper conduct and proper novel writing.
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The Millions Interview

The Stories That Change Us Forever: The Millions Interviews Julie Buntin

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I was always asking myself what felt true. What feels true for your character isn’t always going to be the thing you want to write.
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The Millions Interview

Preoccupations with Witchiness: A Review of ‘Dead Girls’ and Interview with Author Alice Bolin

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Bolin has made it clear, both in press and in the introduction: This is not just a book of essays about dead girls in pop culture.
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The Millions Interview

The Mind Is an Impediment: The Millions Interviews Anelise Chen

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Arguably, a journal has no form—just organic documentation—but actually, you do see these ebbs and flows. There are these natural waves in every life.
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The Millions Interview

Rich, Collective Life: Naima Coster on ‘Halsey Street,’ Gentrification, and Writing

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I’m enjoying some attention. But for a long time that’s not something that I had. I think writers need to hear “keep going” from other people now and again.
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The Millions Interview

I Make What I Want: The Millions Interviews Nell Painter

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Art is about taste. There are no objective criteria, and that was one of the hardest things, because a lot of people were pretending that there were.
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The Millions Interview

Following the Aftermath: The Millions Interviews Tom McAllister

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It seems crazy to me that we just have to accept that the bullets will be there and need to find some way to help children dodge them better.
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The Millions Interview

It’s Not a Zero-Sum Game: The Millions Interviews Rebecca Makkai

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It's a novel about the ways the world comes at you no matter who you are or what you do.
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The Millions Interview

Made a Little Grotesque by Fiction: The Millions Interviews Lauren Groff

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Each project needs to, in some ways, obliterate the previous project, so I've been waiting for the firepower to arrive.
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The Millions Interview

‘Bad Stories’: The Millions Interviews Steve Almond

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The ache is how we know we’re alive. And when we’re telling good stories, the ache is how you know you’re not alone in this life.
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