Karl Ove Knausgaard’s Seasons Quartet Is a Raw Journey through the Writing Process

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Leaving aside commercial ploys, should these books have been published as they are, entirely? Yes, they should have been published as they are, entirely.
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‘Conference Room, Five Minutes’ Is Shea Serrano’s Love Letter to ‘The Office’

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Conference Room, Five Minutes is by all means a passion project. It’s an expression of love for The Office, both in its motivation and end result.
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Ottessa Moshfegh’s Bleak Humor Guides a Dizzying NYC Drug Haze in ‘My Year of Rest and Relaxation’

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The reader’s own GABA receptors and endorphins are cross-firing along with the pill-popping narrator’s.
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Sex, Lies, and Strawberries: On Hanan al-Shaykh’s ‘The Occasional Virgin’

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The notion that a woman’s virtue derives from virginity enjoys a good deal less currency than it once did. How to deal with those for whom it retains value?
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The Rhythm Becomes a Thing of the Spirit: On ‘Religion Around Billie Holiday’ by Tracy Fessenden

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“Catholicism puts them both into a larger musical conversation than the relay between rural South and urban North, between spirituals and swing.”
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Olga Tokarczuk Explores the Live Chain That Connects and Fetters Us in ‘Flights’

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Flights investigates the exploitative relationships people often form, the ways the living chain of humanity and our planet becomes tarnished and damaging.
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Poetry and Intrigue in Uzbekistan: On Hamid Ismailov’s ‘The Devil’s Dance’

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The book's saved by Ismailov’s storytelling and Rayfield’s translation even when the narrative’s back is bent with too much history and too many characters.
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What Are We Willing to Sacrifice? On Crystal Hana Kim’s ‘If You Leave Me’

This is a grand, sweeping story with individualized characters and a nuanced perspective that refuses to essentialize war, women, or national identity.

Geopolitics and Sex, Geography and Desire: On Amitava Kumar’s ‘Immigrant, Montana’

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Kumar explains early and forcefully why these subjects—geopolitics and sex; geography and desire; history and lust—should share pages.
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Deconstructing Myths and Male Influence in ‘Fruit of the Drunken Tree’

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Men orchestrate violence, unpredictable and bloody, from a distance. What grounds ‘Fruit’ is how it destroys myths the closer we get to the violence.
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The Great Jester: On Simon Rich’s ‘Hits and Misses’

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The point: Fame is ridiculous. When writers write about their writing process, it can veer into the self-serious, boring, pretentious. Rich makes it funny.
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Francis Spufford Vividly Recreates an 18th-Century New York in ‘Golden Hill’

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Spufford allows us to glimpse New York as it was—what results is a novel about novels themselves, about America itself as the greatest example of that form.
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Singing the California Blues: On Ranbir Singh Sidhu’s ‘Deep Singh Blue’

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Sidhu pulls no punches discussing themes of alienation and the search for meaning in an absurd world rendered even more surreal through cultural difference.
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Troubling Silences: On Bernardo Atxaga’s ‘Nevada Days’

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Atxaga’s grand curiosity never dulls or wavers—he becomes the frog introduced late to the boiling pot in which the rest of us obliviously sit.
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Living Shadows: On Asma Naeem’s ‘Black Out: Silhouettes Then and Now’

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Asma Naeem considers how the silhouette rose as a powerful and economical art form—and how it captures the way we see race in America.
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A Foreigner in One’s Own Country: On Akil Kumarasamy’s ‘Half Gods’

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Kumarasamy’s writing is lush and evocative, capable of wresting beauty from sadness and finding slivers of hope amidst great tragedy.
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Dispatches from C Wing: On Ahmed Bouanani’s ‘The Hospital’

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The hospital, then, becomes not only a state of mortal purgatory but also the intellectual and economic purgatory of a stuck generation.
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Be Your Best Self: On Sayaka Murata’s ‘Convenience Store Woman’

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While the digital marketer can embark on a personal branding journey, what is left for the cashier or barista in an age of zero-hour contracts and gig work?
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