I am writing this essay at the end of November. The Delta variant overran the country almost as soon as our borders reopened. Our hospitals are overwhelmed.

For my pleasure reading, I needed books I could trust, the safe, soothing hands of favorite writers. I started with the treasured galley I’d been saving of Kazuo Ishiguro’s Klara and the Sun.

The Journal of the Plague Year was a gift from friends who had social-distanced with me around a heater in my airy garage in the dead of the Covid winter.

I was hoping the vaccines would end the pandemic, that life would return to normal, and that I’d start making time for the things I cared about that had fallen by the wayside, like reading.

I had bought a used copy of Wide Sargasso Sea from Powell’s. I opened it two years later, and found a world within of alienation, love, and madness.

It's been a wonderful year for visions and dreams—while most requirements from society faded in the background, it became easier to decipher subtler voices.

How many did I read? Not counting plays, not counting books started and not quite finished—forty five. Next year, I’ll fail better. Even if the number’s higher, the number will be the same: not enough.

In early summer, I discovered a special category I’ll call “books that sustain you while packing and moving to another city during a pandemic while parenting a small child.”

The lowest standard I hold for a book is that I want it to be so psychedelic, so completely discombobulating, that I am torn asunder. I want to read words that turn my bones to dust.

And so, I’m giving myself a little grace, as we all should. We are all doing our best; I keep reminding myself of this.

My mother’s death really impacted my ability to read. To stay focused. I didn’t read as much as I normally do in a year. But I did read—I did find occasional solace in literature as a means to heal.

Each of these books taxonomizes the passing of anything that even remotely looked like it could be described naively as the "American Dream."

I can see that coyote when I close my eyes. Its tail thin, its fur bunched. The worst nightmares are the ones that happen when we’re awake.

Life in 2020 felt scary and small; this year it feels liminal, perhaps irrelevant. As in 2020, I'm still scared: less by Covid and more by...everything else.

Representation in today’s media is questionable in many ways. But Othello does provide us with a rule of thumb: we have to speak of others as they are.

I’m not sure The Black Prince is my favorite book of all time, but it might be the most indelible, the most neuron-rewiring.

What I love about these stories in particular, and reading in general, is how precision and specificity can expose connection for me.