The Good Lord Bird: A Novel

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January Pure Wit by Francesca Peacock [NF] I first learned about the life and work of seventeenth-century writer and philosopher Margaret Cavendish in Regan Penaluna's stellar study of women thinkers, and I've been dying to read a biography of Cavendish ever since. And I'm in luck (all of us are) thanks to biographer Peacock. A proto-feminist, science-fiction pioneer, and divisive public figure, Cavendish is endlessly fascinating, and Peacock's debut gives her the rigorous, in-depth treatment that she deserves. —Sophia M. Stewart Nonfiction by Julie Myerson [F] A blurb from Rachel Cusk is just about all it takes to get me excited about a book, so when I saw that Cusk called Myerson's latest novel "glitteringly painful," "steady and clear," and "the book [Myerson] was intended to write," I was sold. A tale of art, addiction, and the ties that bind mothers and daughters, Nonfiction promises to devastate. —SMS Immediacy by Anna Kornbluh [NF] Did the pandemic kill postmodernism? And what comes after the end of history? University of Illinois–Chicago professor Kornbluh dubs our contemporary style “immediacy,” characterized by same-day delivery, bingeable multimedia, and real-time news updates that spin the economic flywheel ever faster. Kornbluh names this state of emergence and emergency, and suggests potential off-ramps in the direction of calm reflection, measured art-making, and, just maybe, collective wisdom. —Nathalie op de Beeck Slow Down by Kōhei Saitō, tr. Brian Bergstrom [NF] In this internationally-bestselling treatise, Japanese philosopher Saitō argues against "sustainable growth" in favor of degrowth—the slowing of economic activity—which he sees at the only way to address the twinned crises of inequality and climate change. Saitō's proposal is simple, salient, and adapts Marx for the modern day. —SMS Relic by Ed Simon [NF] From Millions alum Simon comes a slim study of the objects we imbue with religious (or quasi-religious) meaning, from the bone of a Catholic martyr to Jimi Hendrix's guitar pick. Bloomsbury's Object Lessons series never misses, and Relic is one of the series' most unconventional—and compelling—entries yet. —SMS Filterworld by Kyle Chayka [NF] The outline of reality has become increasingly blurry as the real world melds with the digital one, becoming what Chayka, staff writer at the New Yorker, calls “Filterworld,” a society built on a foundation of ever-evolving algorithms. In his book of the same name, Chayka calls out the all-powerful algorithm, which he argues is the driving force behind current and accelerating trends in art, consumption, and ethics. —Daniella Fishman Portrait of a Body by Julie Delporte, tr. Helge Dascher and Karen Houle [NF] A gripping narrative of coming to terms with her queer identity, Canadian cartoonist Delporte's latest graphic memoir—praised by Eileen Myles and Fariha Róisín—sees Delporte learning to embrace herself in both physical and metaphysical ways. Dreamy colored pencil illustrations and gently flowing storytelling capture the beauty, trauma, and ultimate tranquility that comes with learning to exist on your own terms. —DF Beautyland by Marie-Helene Bertino [F] In Bertino’s latest novel, following 2020's Parakeet, the launch of Voyager 1 into space coincides with the birth of Adina Giorno, who, much like the solitary satellite, is in search of something she can't yet see. As a child, she senses that she is not of this world and struggles to make a life for herself amid the drudgery of human existence. Playing on Adina's alienness as both a metaphor and a reality, Bertino asks, “Are we really alone?” —DF The Last Fire Season by Manjula Martin [NF] Martin returns ablaze in her latest memoir, pitched as "H Is for Hawk meets Joan Didion in the Pyrocene." Following an anguishing chronic pain diagnosis, Martin attempts to reconnect with her beloved Northern California wilderness in order to escape not only her deteriorating health but a deteriorating world, which has ignited around her in the worst fire season California has ever seen. Devastating and ambivalent, The Last Fire Season tries to sift through the ashes of climate change. —DF The Furies by Elizabeth Flock [NF] Violence by women—its role, its potential righteousness—is the focus of Flock's latest. Following the real-life cases of a young rape survivor in Alabama, a predator-punishing gang leader in India, and an anti-ISIS militia fighter in Syria, Flock considers how women have used lethal force as a means to power, safety, and freedom amid misogynistic threats and oppression. Is violence ever the answer? Flock looks to three parallel lives for guidance. —SMS Imagining the Method by Justin Owen Rawlins [NF] University of Tulsa professor Rawlins demystifies that most celebrated (and controversial) acting school, challenging our contemporary conceptions of screen performance. I was sold the moment I saw Rawlins received the ultimate stamp of approval from Isaac Butler, author of the definitive account of method acting: "If you care about the evolution of twentieth-century screen performance, you should read this book." —SMS We Are Free to Change the World by Lyndsey Stonebridge [NF] Famed twentieth-century philosopher and political theorist Hannah Arendt wrote passionately about power, freedom, and inequality against the backdrop of fascism—a project as relevant today as it ever was. Stonebridge, a professor of humanities and human rights, revisits the lessons of Arendt's writings and applies them to the twenty-first century, creating a dialogue between past, present, and future. —DF Walter Benjamin Stares at the Sea by C.D. Rose [F] In these 19 short stories, Rose meditates on philosophy, photography, and literature. Blending erudition and entertainment, Rose's fables follow writers, teachers, and artists through various situations—and in a standout story, imagines how St. Augustine would fare on Twitter. —DF Black Women Taught Us by Jenn M. Jackson [NF] Jackson's debut book foregrounds the work of Black feminist writers and leaders—from Ida B. Wells and Harriet Jacobs to Shirley Chisholm and bell hooks—throughout American history, revealing the centuries-long role that Black women have played in imagining and fighting for a more just society. Imani Perry calls Jackson "a beautiful writer and excellent scholar." —SMS The Bullet Swallower by Elizabeth Gonzalez James [F] Pitched as Cormac McCarthy meets Gabriel García Márquez (yeesh!), The Bullet Swallower is the second novel (after Mona at Sea) from Elizabeth Gonzalez James, who also wrote the weird and wonderful essay/play Five Conversations About Peter Sellers. Infusing the spaghetti western with magical realism, the novel follows a Mexican bandito on a cosmic journey generations in the making. —SMS Last Acts by Alexander Sammartino [F] In Sammartino's debut novel, the owner of a gun store hatches a plan to resurrect his struggling business following his son's near-death experience. George Saunders, Mary Karr, and Nana Kwame Adjei-Brenyah have all heaped on praise, and Jenny Offill finds it "hard to believe Last Acts is a first novel." —SMS I Sing to Use the Waiting by Zachary Pace [NF] Pace fuses memoir and criticism (my favorite combination) to explore the emotional and cultural impacts of women singers across time, from Cat Power and Rihanna to Kim Gordon and Whitney Houston. A queer coming-of-age story that centers the power of music and the legacies of women artists. —SMS Dead in Long Beach, California by Venita Blackburn [F] Blackburn, the author of the stellar story collections Black Jesus and Other Superheroes and How to Wrestle a Girl, delivers a debut novel about storytelling and unreality, centering on a successful novelist who gets hold of her dead brother's phone—and starts answering texts as him. Kristen Arnett calls this one "a bonafide knockout" that "rewired my brain." —SMS Everyone Who Is Gone Is Here by Jonathan Blitzer [N] New Yorker staff writer Blitzer traces the harrowing history of the humanitarian crisis at the U.S.-Mexico border, foregrounding the stories of Central American migrants whose lives have been threatened and upended by political tumult. A nuanced, layered, and rigorously reported portrait that Patrick Radden Keefe hails as "extraordinary." —SMS The Survivors of the Clotilda by Hannah Durkin [NF] Durkin, a British historian, explores the lives of 103 Africans who were kidnapped and transported on the last slave ship to dock in the U.S., shortly before the Civil War began in 1861. Many of these captives were children, and thus lived their lives against a dramatic backdrop, from the Civil War all the way up to the dawn of the Civil Rights movement. What these people experienced and how they prevailed should intrigue anybody interested in learning more about our nation’s darkest chapter. —Claire Kirch Your Utopia by Bora Chung, tr. Anton Hur [F] Following her acclaimed sophomore novel The Cursed Bunny, Chung returns with more tales from the realm of the uncanny. Covering everything from unruly AI to the quest for immortality to the environmental destruction caused by capitalism, Chung’s story collection promises more of the mystifying, horror-filled goodness that has become her calling card. —DF The Rebel's Clinic by Adam Shatz [NF] Frantz Fanon—political philosopher, psychiatrist, and author of the trailblazing Black Skin, White Masks and The Wretched of the Earth—is one of the most important writers and thinkers of the postcolonial era, and his work continues to inform contemporary thinking on race, capitalism, and power. In this sprawling biography, Shatz affirms Fanon's place as a towering intellect and groundbreaking activist. —SMS You Dreamed of Empires by Álvaro Enrigue, tr. Natasha Wimmer [F] Enrigue's latest novel, following Sudden Death, reimagines the fateful 1519 invasion of Tenochtitlan (now Mexico City) by Spanish conquistador Hernán Cortés. With exuberant style, and in a lively translation by Wimmer, Enrigue brings the Aztec capital and the emperor Moctezuma to vibrant life—and rewrites their destinies. —SMS February Love Novel by Ivana Sajko, tr. by Mima Simić [F] Croatian literature may lag behind its Russian, Hungarian, Polish, and Ukrainian counterparts—roughly in that order—as far as stateside recognition goes, but we all make mistakes. Just like couples do in love and under capitalism. “A war between kitchen and bedroom,” as the liner notes read, would have been enough to sell me, but that war’s combatants, “an unemployed Dante scholar” and “a passable actress,” really sealed the deal. —John H. Maher The Unforgivable by Cristina Campo, tr. Alex Andriesse [NF] This new NYRB edition, introduced by Kathryn Davis, brings together all of the essays Campo published in her lifetime, plus a selection of additional essays and autofiction. The result is a robust introduction to a stylish—but largely forgotten—Italian writer whose "creativity was a vocation in the truest sense," per Jhumpa Lahiri. —SMS Alphabetical Diaries by Sheila Heti [NF] Last year, I was enraptured by Heti's limited-run New York Times newsletter in which she alphabetized sentences from 10 years' worth of her diary entries—and this year, we can finally enjoy the sublime results of that experiment in book form. This is my favorite work of Heti's, full stop. —SMS Dinner on Monster Island by Tania De Rozario [NF] Blending film criticism, social commentary, and personal narrative, De Rozario (most recently the author of the Lambda Literary Award–nominated And the Walls Came Crumbling Down) explores her experience growing up queer, brown, and fat in Singapore, from suffering through a "gay-exorcism" to finding solace in horror films like Carrie. —SMS Wrong Norma by Anne Carson [NF] Everyone shut up—Anne Carson is speaking! This glistening new collection of drawings and musings from Carson is her first original work since the 2016 poetry collection Float. In Carson's own words, the collection touches on such disparate topics (she stresses they are "not linked") as Joseph Conrad, Roget's Thesaurus, snow, Guantánamo, and "my Dad." —DF Self-Portraits: Stories by Osamu Dazai, tr. Ralph McCarthy [F] Japanese writer Dazai had quite the moment in 2023, and that moment looks likely to continue into the new year. Self-Portraits is a collection of short autofiction in the signature melancholic cadence which so many Anglophone readers have come to love. Meditating on themes of hypocrisy, irony, nihilism—all with a touch of self-deprecating humor—Dazai’s work will either pull you out of a deep depression or crack your rose-colored glasses; there is no in-between. —DF Imagination by Ruha Benjamin [NF] Visionary imagination is essential for justice and a sustainable future, argues Benjamin, a Princeton professor of African American studies and founder of the Ida B. Wells Just Data Lab. In her treatise, she reminds readers of the human capacity for creativity, and she believes failures of imagination that lead to inequity can be remedied. In place of quasi-utopian gambles that widen wealth gaps and prop up the surveillance state, Benjamin recommends dreaming collective and anti-racist social arrangements into being—a message to galvanize readers of adrienne marie brown and Alexis Pauline Gumbs. —SMS Literary Theory for Robots by Dennis Yi Tenen [NF] Artificial intelligence and machine-generated writing are nothing new, and perhaps nothing to fear, argues Tenen, a Columbia English professor and former software engineer. Traveling through time and across the world, Tenen reveals the labor and collaboration behind AI, complicating the knee-jerk (and, frankly, well-founded!) reactions many of us have to programs like ChatGPT. —SMS A Sign of Her Own by Sarah Marsh [F] Alexander Graham Bell is best known as the inventor of the telephone, but what he considered his life's work was the education of deaf children—specifically, the harmful practice of oralism, or the suppression of sign language. Marsh's wonderful debut novel unearths this little-known history and follows a deaf pupil of Bell's as she questions his teachings and reclaims her voice. —SMS Get the Picture by Bianca Bosker [NF] Journalist Bosker, who took readers behind the scenes with oenophiles in her 2017 Cork Dork, turns to avid artists, collectors, and curators for this sensory deep dive. Bosker relies on experiential reporting, and her quest to understand the human passion for visual art finds her apprenticing with creators, schmoozing with galleristas, and minding canonical pieces as a museum guard. —NodB Columbo by Amelie Hastie [NF] Columbo experienced something of a renaissance during the pandemic, with a new generation falling for the rugged, irresistible charms of Peter Falk. Hastie revisits the series, a staple of 70s-era TV, with refreshing rigor and appreciation, tackling questions of stardom, authorship, and the role of television in the process. —SMS Acts of Forgiveness by Maura Cheeks [F] Cheeks's debut novel sounds amazing and so au courant. A woman is elected U.S. president and promises Black Americans that they will receive reparations if they can prove they are descended from slaves. You’d think people would jump on achieving some social justice in the form of cold cash, right? Not Willie Revel’s family, who’d rather she not delve into the family history. This promises to be a provocative read on how the past really isn’t past, no matter how much you run from it. —CK The Sentence by Matthew Baker [F] I minored in Spanish linguistics in college and, as a result, came to love that most useless and rewarding of syntactic exercises, diagramming sentences. So I'm very excited to read Baker's The Sentence, a graphic novel set in an alternate America and comprising single, 6,732-word sentence, diagrammed in full. Syntax wonks, assemble! —SMS Neighbors by Diane Oliver [F] Before her untimely death in 1966 at the age of 22, Oliver wrote stories of race and racism in Jim Crow America characterized by what Dawnie Walton calls "audacity, wit, and wisdom beyond her years." Only four of the 14 stories in Neighbors were published in Oliver's lifetime, and Jamel Brinkley calls the publication of her posthumous debut collection "an important event in African American and American letters." —SMS The Weird Sister Collection by Marisa Crawford [NF] Essayist, poet, and All Our Pretty Songs podcaster Crawford founded the Weird Sister blog in 2014, covering books and pop culture from contemporary young feminists’ and queer perspectives. The now-defunct blog offered literary reviews, Q&As with indie authors, and think pieces on film and music. For this collection, whose foreword comes from Michelle Tea, Crawford gathers favorite pieces from contributors, plus original work with a Weird Sister edge. —NodB Smoke and Ashes by Amitav Ghosh [NF] As research for his Ibis trilogy, Ghosh mapped the opium trade around the world and across centuries. This global and personal history revisits the British Empire’s dependence on Indian opium as a trade good, and how the cultivation of and profits from opium shaped today’s global economy. In his nonfiction The Great Derangement, Ghosh employs personal anecdotes to make sense of larger-scale developments, and Smoke and Ashes promises to connect his own family and identity to today’s corporate, institutional, and environmental realities. —NodB Private Equity by Carrie Sun [NF] In her debut memoir, Sun recounts her time on Wall Street, where she worked as an assistant to a billionaire hedge-fund founder and was forced to rethink everything she thought she knew about work, money, sacrifice, and living a meaningful life. This one sounds like a great read for fans of Anna Wiener's Uncanny Valley (e.g. me). —SMS I Love You So Much It's Killing Us Both by Mariah Stovall [F] When Khaki Oliver receives a letter from her estranged former best friend, she isn’t ready for the onslaught of memories that soon cause her to unravel. A Black Bildungsroman about friendship, fandom, and sanity, I Love You So Much It's Killing Us Both is an unflinching look at "what it means to be young in a hard, and nonetheless beautiful, world," per Vauhini Vara. —Liv Albright Dreaming of Ramadi in Detroit by Aisha Sabatini Sloan [NF] I know from personal experience that anything published by Graywolf Press is going to open my eyes and make me look at the world in a completely different way, so I have high expectations for Sloan’s essays. In this clever collection, a Black creative reflects upon race, art, and pedagogy, and how they relate to one’s life in this crazy country of ours during the time period between the 2016 election and the onset of the pandemic. —CK Language City by Ross Perlin [NF] Perlin travels throughout the most linguistically diverse city on the planet—New York—to chronicle the sounds and speakers of six endangered languages before they die out. A linguist and co-director of the Endangered Language Alliance, Perlin argues for the importance of little-known languages and celebrates the panoply of languages that exists in New York City. —SMS Monkey Grip by Helen Garner [F] A tale as old as time and/or patriarchal sociocultural constructs: a debut novel by a woman is published and the critics don't appreciate it—until later, at least. This proto-autofictional 1977 novel is now considered a classic of Australian "grunge lit," but at the time, it divided critics, probably because it had depictions of drug addiction and sex in it. But Lauren Groff liked it enough to write a foreword, so perhaps the second time really is the charm. —JHM Ours by Phillip B. Williams [F] A conjuror wreaks magical havoc across plantations in antebellum Arkansas and sets up a Brigadoon for the enslaved people she frees before finding that even a mystic haven isn't truly safe from the horrors of the world. What a concept! And a flexible one to boot: if this isn't adapted as a TV series, it would work just as well as an RPG. —JHM Violent Faculties by Charlotte Elsby [F] A philosophy professor influenced by the Marquis de Sade designs a series of experiments to prove its relevance as a discipline, specifically with regard to life and death, a.k.a. Philip Zimbardo (Chopped and Screwed Remix): The Novel. If you ever trusted a philosophy professor with your inner self before—and you probably shouldn't have?—you probably won't after reading this. —JHM American Abductions by Mauro Javier Cárdenas [F] Plagued by data harvesting, constant surveillance, mass deportation, and incarceration, the society at the heart of Cárdenas's new novel is less speculative dystopia than realist reflection. Channeling Philp K. Dick and Samuel Delaney, Cárdenas imagines a society where Latin Americans are systematically expunged. Following the lives of two Columbian-American sisters, one who was deported and one who stayed in the U.S., American Abduction tells a new kind of immigrant story, suffused with mysticism and philosophical rigor. —DF Closures: Heterosexuality and the American Sitcom by Grace Lavery [NF] I took Lavery's class on heterosexuality and sitcoms as an undergrad, and I'm thrilled to see the course's teachings collected in book form. Lavery argues that since its inception the sitcom has depicted heterosexuality as constantly on the verge of collapse, only to be reconstituted at the end of each half-hour episode. A fascinating argument about the cultural project of straightness. —SMS Whiskey Tender by Deborah Taffa [NF] Almost a decade in the making, this memoir from Taffa details generations of Southwest Native history and the legacies of assimilationist efforts. Taffa—a citizen of the Quechan Nation and Laguna Pueblo tribe, and director of the MFA in Creative Writing at the Institute of American Indian Arts—was born on the California Yuma reservation and grew up in Navajo territory in New Mexico in the 1970s and 1980s. She reflects on tribal identity and attitudes toward off-reservation education she learned from her parents’ and grandparents’ fraught formative experiences. —NodB Normal Women by Philippa Gregory [NF] This is exciting news for Anglophiles and history nerds like me: Philippa Gregory is moving from historical fiction (my guilty pleasure) about royal women and aristocrats in medieval and early modern England to focus on the lives of common women during that same time period, as gleaned from the scraps of information on them she has unearthed in various archives. I love history “from the bottom up” that puts women at the center, and Gregory is a compelling storyteller, so my expectations are high. —CK Blue Lard by Vladimir Sorokin, tr. Max Lawton [F] Upon its publication in 1999, Sorokin's sci-fi satire Blue Lard sparked protests across Russia. One aspect of it particularly rankled: the torrid, sexual affair it depicts between Stalin and Khruschev. All to say, the novel is bizarre, biting, and utterly irreverent. Translated into English for the first time by Lawton, Sorokin's masterwork is a must-read for anyone with an iconoclastic streak. —SMS Piglet by Lottie Hazell [F] Hazell's debut novel follows the eponymous Piglet, a successful cookbook editor identified only by her unfortunate childhood nickname, as she rethinks questions of ambition and appetite following her fiancé's betrayal. Per Marlowe Granados, Hazell writes the kind of "prose Nora Ephron would be proud of." —SMS Grief is for People by Sloane Crosley [NF] Crosley enlivens the grief memoir genre with the signature sense of humor that helped put her on the literary map. In Grief Is for People, she eulogizes the quirks and complexities of her friendship with Russell Perreault, former publicity director at Vintage Books, who died by suicide in 2019. Dani Shapiro hails Crosley’s memoir—her first full-length book of nonfiction—as “both a provocation and a balm to the soul.” —LA The Freaks Came Out to Write by Tricia Romano [NF] The freaks came out to write, and you better believe the freaks will come out in droves to read! In this history of the legendary alt-weekly the Village Voice, Romano (a former writer for the Voice) interviews some 200 members the paper’s most esteemed staff and subjects. A sweeping chronicle of the most exciting era in New York City journalism promises to galvanize burgeoning writers in the deflating age of digital media. —DF Burn Book by Kara Swisher [NF] Swisher has been reporting on the tech industry for 30 years, tracing its explosive growth from the dawn of the internet to the advent of AI. She's interviewed every tech titan alive and has chronicled their foibles and failures in excruciating detail. Her new book combines memoir and reportage to tell a comprehensive history of a troubled industry and its shortsighted leaders. —SMS Wandering Stars by Tommy Orange [F] Orange returns with a poignant multi-generational tale that follows the Bear Shield-Red Feather family as they struggle to combat racist violence. Picking up where Orange's hit debut novel, There There, left off, Wandering Stars explores memory, inheritance, and identity through the lens of Native American life and history. Per Louise Erdrich, “No one knows how to express tenderness and yearning like Tommy Orange." —LA March The Hearing Test by Eliza Barry Callahan [F] Callahan's debut novel follows a young artist as she faces sudden hearing loss, forcing to reevaluate her orientation to her senses, her art, and the world around her. Amina Cain, Moyra Davey, and Kate Zambreno are all fans (also a dream blunt rotation), with the latter recommending this one be "read alongside the novels of W.G. Sebald, Rachel Cusk, and Maria Gainza." —SMS The Extinction of Irena Rey by Jennifer Croft [F] When a group of translators arrive at the home of renowned novelist Irena Rey, they expect to get to work translating her latest book—instead, they get caught up in an all-consuming mystery. Irena vanishes shortly after the translators arrive, and as they search for clues to the author's disappearance, the group is swept up by isolation-fueled psychosis and obsession. A “mischievous and intellectually provocative” debut novel, per Megha Majumdar. —LA Thirst by Marina Yuszczuk, tr. Heather Cleary [F] This isn’t your typical meet-cute. When two women—one grieving, the other a vampire, both of them alienated and yearning for more—cross paths in a Buenos Aires cemetery, romance blooms. Channelling Carmen Maria Machado and Anne Rice, Yuszczuk reimagines the vampire novel, with a distinctly Latin American feminist Gothic twist. —LA The Great Divide by Cristina Henríquez [F] I'm a sucker for meticulously researched and well-written historical fiction, and this one—a sweeping story about the interconnected lives of the unsung people who lived and labored at the site of the Panama Canal—fits the bill. I heard Henríquez speak about this novel and her writing processes at a booksellers conference, and, like the 300 booksellers present, was impressed by her presentation and fascinated at the idea of such a sweeping tale set against a backdrop so larger-than-life and dramatic as the construction of the Panama Canal. —CK Bite Your Friends by Fernanda Eberstadt [NF] Melding memoir and history, Eberstadt's Bite Your Friends looks at the lives of saints, philosophers, and artists—including the author and her mother—whose abberant bodies became sites of subversion and rebellion. From Diogenes to Pussy Riot, Eberstadt asks what it means to put our bodies on the line, and how our bodies can liberate us. —SMS Anita de Monte Laughs Last by Xochitl Gonzalez [F] When Raquel Toro, an art history student, stumbles on the story of Anita de Monte, a once prominent artist from the '80s whose mysterious death cut short her meteoric rise, her world is turned upside down. Gonzalez's sophomore novel (after her hit debut Olga Dies Dreaming) toggles between the perspectives of Raquel and Anita (who is based on the late Ana Mendieta) to explore questions of power, justice, race, beauty, and art. Robert Jones, Jr. calls this one "rollicking, melodic, tender, and true—and oh so very wise." —LA My Heavenly Favorite by Lucas Rijneveld, tr. Michele Hutchison [F] Rijneveld, author of the International Booker Prize-winning novel The Discomfort of Evening, returns with a new take on the Lolita story, transpiring between a veterinarian and a farmer's daughter on the verge of adolescence. "This book unsettled me even as it made me laugh and gasp," gushes Brandon Taylor. "I'm in awe." Radiant by Brad Gooch [NF] Lauded biographer Gooch propels us through Keith Haring’s early days as an anonymous sidewalk chalk artist to his ascent as a vigilante muralist, pop-art savant, AIDS activist, and pop-culture icon. Fans of Haring's will not want to miss this definitive account of the artist's life, which Pulitzer-winner biographer Stacy Schiff calls "a keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come." —DF The Riddles of the Sphinx by Anna Shechtman [NF] Sometimes you encounter a book that seems to have been written specifically for you; this was the feeling I had when I first saw the deal announcement for Shechtman's debut book back in January 2022. A feminist history of the crossword puzzle? Are you kidding me? I'm as passionate a cruciverbalist as I am a feminist, so you can imagine how ravenously I read this book. The Riddles of the Sphinx is one of the best books of 2024, hands down, and I can't wait for everyone else—puzzlers and laymen alike—to fall in love with it too. —SMS The Silver Bone by Andrey Kurkov, tr. Boris Drayluk [F] Kurkov is one of Ukraine's most celebrated novelists, and his latest book is a murder mystery set against the backdrop of WWI-era Kyiv. I'll admit what particularly excites me about The Silver Bone, though, is that it is translated by Dralyuk, who's one of the best literary translators working today (not to mention a superb writer, editor, and poet). In Drayluk's hands, Kurkov's signature humor and sparkling style come alive. —SMS Feeding Ghosts by Tessa Hulls [NF] This multigenerational graphic memoir follows Hull, alongside her mother and grandmother, both of whom hail from China, across time and space as the delicate line between nature and nurture is strained by the forces of trauma, duty, and mental illness. Manjula Martin calls Feeding Ghosts “one of the best stories I’ve read about the tension between family, history, and self.” —DF It Lasts Forever and Then It's Over by Anne de Marcken [F] Haunting prose and a pithy crow guide readers through Marcken's novel of life after death. In a realm between reality and eternity, the undead traverse westward through their end-of-life highlight reel, dissecting memories, feelings, and devotions while slowly coming to terms with what it means to have lived once all that remains is love. Alexandra Kleeman admits that she "was absolute putty in this book's hands." —DF Parasol Against the Axe by Helen Oyeyemi [F] When I visited Prague, a year after the 1989 Velvet Revolution, the Czech capital struck me as a magical place, where anything is possible, and Oyeyemi captures the essence of Prague in Parasol Against the Axe, the story of a woman who attends her estranged friend's bachelorette weekend in the city. A tale in which reality constantly shifts for the characters and there is a thin line between the factual and the imagined in their relationships, this is definitely my kind of a read. —CK Say Hello to My Little Friend by Jennine Capó Crucet [F] Crucet's latest novel centers on a failed Pitbull impersonator who embarks on a quest to turn himself into a modern-day Tony Montana—a quest that leads him to cross paths with Lolita, a captive orca at the Miami Seaquariam. Winking at both Scarface and Moby-Dick, Say Hello to My Little Friend is "a masterclass in pace and precision," per Nana Kwame Adjei-Brenyah. —SMS But the Girl by Jessica Zhan Mei Yu [F] Girl, a Malaysian-Australian who leaves home for the U.K. to study Sylvia Plath and write a postcolonial novel, finds herself unable to shake home—or to figure out what a "postcolonial novel" even is. Blurbs are untrustworthy, but anything blurbed by Brandon Taylor is almost certainly worth checking out. —JHM Wrong Is Not My Name by Erica N. Cardwell [NF] Cardwell blends memoir, criticism, and theory to place her own Künstlerroman in conversation with the work of Black visual artists like Lorna Simpson, Lorraine O'Grady, and Kara Walker. In interconnected essays, Cardwell celebrates the brilliant Black women who use art and storytelling to claim their place in the world. —SMS Great Expectations by Vinson Cunningham [F] A theater critic at the New Yorker, Cunningham is one of my favorite writers working today, so I was thrilled to learn of his debut novel, which cheekily steals its title from the Dickens classic. Following a young Black man as he works on a historic presidential campaign, Great Expectations tackles questions of politics, race, religion, and family with Cunningham's characteristic poise and insight. —SMS The Future of Songwriting by Kristin Hersh [NF] In this slim volume, Throwing Muses frontwoman and singer-songwriter Hersh considers the future of her craft. Talking to friends and colleagues, visiting museums and acupuncturists, Hersh threads together eclectic perspectives on how songs get made and how the music industry can (and should) change. —SMS You Get What You Pay For by Morgan Parker [NF] Parker, a brilliant poet and author of the stellar There Are More Beautiful Things Than Beyonce, debuts as an essayist with this candid, keen-eyed collection about life as a Black woman in America. Casting her gaze both inward and onto popular culture, Parker sees everything and holds back nothing. —SMS Mother Doll by Katya Apekina [F] Following up her debut novel, The Deeper the Water, the Uglier the Fish, Apekina's Mother Doll follows Zhenia, an expectant mother adrift in Los Angeles whose world is rocked by a strange call from a psychic medium with a message from Zhenia's Russian Revolutionary great-grandmother. Elif Batuman calls this one "a rare achivement." —SMS Solidarity by Astra Taylor and Leah Hunt-Hendrix [NF] What does "solidarity" mean in a stratified society and fractured world? Organizers and activists Hunt-Hendrix and Taylor look at the history of the concept—from its origins in Ancient Rome to its invocation during the Black Live Matter movement—to envision a future in which calls for solidarity can produce tangible political change. —SMS The Manicurist's Daughter by Susan Lieu [NF] After her mother, a refugee of the Vietnam war and the owner of two nail salons, dies from a botched cosmetic surgery, Lieu goes looking for answers about her mother's mysterious life and untimely death. Springing from her hit one-woman show 140 LBS: How Beauty Killed My Mother, Lieu's debut memoir explores immigration, beauty, and the American Dream. —SMS Through the Night Like a Snake ed. Sarah Coolidge [F] There's no horror quite like Latin American horror, as any revering reader of Cristina Rivera Garza—is there any other kind?—could tell you. Two Lines Press consistently puts out some of the best literature in translation that one can come by in the U.S., and this story collection looks like another banger. —JHM Headshot by Rita Bullwinkel [F] Bullwinkel's debut collection, Belly Up, was a canful of the uncanny. Her debut novel, on the other hand, sounds gritty and grounded, following the stories of eight teenage girls boxing in a tournament in Reno. Boxing stories often manage to punch above their weight (sorry) in pretty much any medium, even if you're not versed enough in the sport to know how hackneyed and clichéd that previous clause's idiomatic usage was. —JHM Choose This Now by Nicole Haroutunian [F] Haroutunian's novel-in-stories, part of Noemi Press's Prose Series, follows a pair of inseparable friends over the years as they embark on careers, make art, fall in and out of love, and become mothers. Lydia Kiesling calls this one "a sparkling, intimate look at women's lives" that makes "for a lovely reading experience." —SMS Death by Laughter by Maggie Hennefeld [NF] Hennefeld's scholarly study explores the forgotten history and politics of women's "hysterical laughter," drawing on silent films, affect theory, feminist film theory, and more. Hennefeld, a professor of cultural studies and comparative literature, offers a unique take on women's pleasure and repression—and how the advent of cinema allowed women to laugh as never before. —SMS James by Percival Everett [F] In James, the once-secondary character of The Adventures of Huckleberry Finn narrates his version of life on the Mississippi. Jim, who escapes enslavement only to end up in adventures with white runaway Huck, gives his account of well-known events from Mark Twain’s 1880s novel (and departs from the record to say what happened next). Everett makes readers hyperaware of code-switching—his 2001 novel Erasure was about a Black novelist whose career skyrockets when he doubles down on cynical stereotypes of Blackness—and Jim, in James, will have readers talking about written vernacular, self-awareness, and autonomy. —NodB A Chance Meeting by Rachel Cohen [NF] Chronicling 36 fateful encounters among 30 writers and artists—from Henry James to Gertrude Stein, Mark Twain to Zora Neal Hurston—Cohen paints a vast and sparkling portrait of a century's worth of American culture. First published in 2004, and reissued by NYRB, A Chance Meeting captures the spark of artistic serendipity, and the revived edition features a new afterword by the author. —SMS Who's Afraid of Gender? by Judith Butler [NF] Butler has had an outsized impact on how we think and talk about gender and sexuality ever since the 1990 publication of Gender Trouble, which theorized the way gender is performed and constructed. Butler's latest is a polemic that takes on the advent of "anti-gender ideology movements," arguing that "gender" has become a bogeyman for authoritarian regimes. —SMS Green Frog by Gina Chung [F] Chung, author of the acclaimed debut novel Sea Change, returns with a story collection about daughters and ghosts, divorcees and demons, praying mantises and the titular verdant amphibians. Morgan Talty calls these 15 stories "remarkable." —SMS No Judgment by Lauren Oyler [NF] Oyler is one of our sharpest and most fearless cultural critics, and No Judgement is her first essay collection, following up her debut novel Fake Accounts. Opining on gossip and anxiety, autofiction and vulnerability, and much, much more, Oyler's caustic wit and penetrating voice shine through every essay. —SMS Memory Piece by Lisa Ko [F] Following up her National Book Award–nominated debut novel The Leavers, Ko's latest follows three lifelong friends from the 1990s to the 2040s. A meditation on the meaning of a "meaningful life" and how to adapt to an increasingly inhospitable world, Memory Piece has earned praise from Jacqueline Woodson and C Pam Zhang, who calls the novel "bright with defiance, intelligence, and stubborn love." —SMS On Giving Up by Adam Phillips [NF] Psychoanalyst Phillips—whose previous subjects include getting better, wanting to change, and missing out—takes a swing at what feels like a particularly timely impulse: giving up. Questioning our notions of sacrifice and agency, Phillips asks when giving up might be beneficial to us, and which parts of our lives might actually be worth giving up. —SMS There's Always This Year by Hanif Abdurraqib [NF] Abdurraqib returns (how lucky are we!) with a reflection on his lifelong love of basketball and how it's shaped him. While reconsidering his childhood, his relationship with his father, and the meaning of "making it," Abdurraqib delivers what Shea Serrano calls "the sharpest, most insightful, most poignant writing of his career." —SMS The Angel of Indian Lake by Stephen Graham Jones [F] The final installment of Jones's trilogy picks up four years after Don't Fear the Reaper. Jade Daniels is back from prison, and upon her release, she encounters serial killer-worshipping cults, the devastating effects of gentrification, and—worst of all—the curse of the Lake Witch. Horror maestro Brian Keene calls Jones's grand finale "an easy contender for Best of the Year." —LA Worry by Alexandra Tanner [F] This deadpan debut novel from Tanner follows two sisters on the cusp of adulthood as they struggle to figure out what the hell to do with their lives. Heads butt, tempers flare, and existential dread creeps in as their paths diverge amid the backdrop of Brooklyn in 2019. Limning the absurdity of our internet-addled, dread-filled moment, Tanner establishes herself as a formidable novelist, with Kiley Reid calling Worry "the best thing I've read in a very long time." —DF [millions_email]

Tuesday New Release Day: Starring Erdrich, Enright, McBride, Unferth, Ripatrazone, and More

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Here’s a quick look at some notable books—new titles from the likes of Louise Erdrich, Anne Enright, James McBride, Deb Olin Unferth, our own Nick Ripatrazone, and more—that are publishing this week. Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then become a member today. The Night Watchman by Louise Erdrich Here's what Publishers Weekly had to say about The Night Watchman: "Erdrich (Love Medicine) returns to North Dakota’s Turtle Mountain Reservation for this stirring tale of a young Chippewa woman and her uncle’s effort to halt the Termination Act of 1953. Pixie Paranteau takes a leave of absence from her job at the Jewel Bearing Plant to search for her sister, Vera, who was last seen in Minneapolis. Though she fails to find Vera, sparks fly between Pixie and a promising young boxer named Wood Mountain. Pixie then travels with her uncle Thomas, chairman of the Turtle Mountain Advisory Committee, to Washington, D.C., where he testifies at a congressional hearing on a bill abrogating treaties with Indians and abolishing Indian tribes. Also accompanying them are graduate student Millie Cloud and the ghost of Thomas’s boyhood friend Roderick. Erdrich captures the Chippewa community’s durable network of families, friends, and neighbors, alive or dead, including Pixie’s alcoholic father and wise mother, who live in poverty. The heartbreaking conclusion to Vera’s story resonates with the pervasive crisis of missing Native American women, while Thomas, Wood Mountain, and his trainer rally to put together a match to raise funds for Thomas’s efforts to keep their land. Erdrich’s inspired portrait of her own tribe’s resilient heritage masterfully encompasses an array of characters and historical events. Erdrich remains an essential voice." Deacon King Kong by James McBride Here's what Publishers Weekly had to say about Deacon King Kong: "McBride (The Good Lord Bird) delivers a sharply compassionate shaggy dog tale of a heavy drinking Baptist deacon who shoots a drug dealer and becomes a 'walking dead man.' In the autumn of 1969, handyman and occasional baseball coach Deacon Cuffy Lambkin, known to his friends as 'Sportcoat' because of his colorful wardrobe or as 'Deacon King Kong' on account of his equal affection for a moonshine with that name, inexplicably shoots off the ear of Deems Clemens, Sportcoat’s former baseball protégé. This sets in motion a hunt for Sportcoat by Deems’s employers that draws in Tommy 'Elephant' Elefante, a sweetly melancholy Italian mover of 'hot goods' whose grip on the neighborhood is slipping, and scrupulous police officer 'Potts' Mullen, who is on the brink of retirement. As Deems’s crew ineffectually try to murder Sportcoat, Elephant follows clues left by his dead father to find a hidden treasure, and Potts tries to keep the neighborhood safe while falling for the wife of a preacher, McBride unravels the mystery of Sportcoat’s inexplicable ire against Deems. With a Dickensian wealth of quirky characters, a sardonic but humane sense of humor reminiscent of Mark Twain, and cartoonish action scenes straight out of Pynchon, McBride creates a lived-in world where everybody knows everybody’s business. This generous, achingly funny novel will delight and move readers." Longing for an Absent God by Nick Ripatrazone Here's what Publishers Weekly had to say about Longing for an Absent God: "Ripatrazone (Ember Days), culture editor at Image Journal, argues in this piquant analysis that the interplay between lapsed and practicing Catholic authors sustains 'a unique and significant literary culture.' For Ripatrazone, both groups engage in similar forms of storytelling—'corporal, messy, strange, and steeped in the sins of real people'—though he argues they do so to different ends. While the book’s analysis of well-known 20th-century authors who were Catholic, such as Flannery O’Connor and Andre Dubus, feels thin, chapters on Toni Morrison and Louise Erdrich are strong, exploring the ways that black and Chippewa cultures and ways of storytelling have differed or responded to Catholic writing. Though Ripatrazone builds his analysis around the differences and shared tensions between lapsed and practicing Catholics—where practicing Catholics used their faith to ground their fiction, lapsed Catholics approached religion through themes of identity and redemption—he leaves uninterrogated another tension that pervades the book: that between Catholics from birth and converts, whose ideas of storytelling were shaped outside of the Catholic tradition. His uneven analysis leaves this and many other tantalizing angles unexplored, but its articulation of a Catholic literature inclusive of—and more importantly defined by—practicing and lapsed Catholics is a valuable one. Scholars of modern American Catholicism will find much food for thought here." Fiebre Tropical by Juliana Delgado Lopera Here's what Publishers Weekly had to say about Fiebre Tropical: "Lopera’s moving and hilarious debut novel (after the essay collection Quiéreme) switches seamlessly between Spanish and English as it follows a 15-year-old Colombian girl who moves to Miami and becomes swept up in a church and with the pastor’s beautiful daughter. Francisca, whose mother brought them to the U.S. for economic opportunity, is skeptical of religion and would rather be back in Bogotá, smoking cigarettes and reading Sylvia Plath, than join the youth group at church or indulge her mother’s obsession with baptizing her dead infant brother, gone before Francisca was even born. As Francisca’s mother becomes more involved with the local Christian congregation, Carmen, the pastor’s daughter, decides to take on Francisca as her personal salvation project, bringing her along to hand out fliers and evangelize in neighboring communities. The more time the girls spend together, the more Francisca realizes that her feelings for Carmen are not strictly platonic. Along with understanding her burgeoning sexuality, Francisca must also deal with her mother’s increasingly tenuous grip on reality and the process of assimilating into her new home and culture. Lopera convincingly renders Francisca’s adolescent insecurities and awkward obsessions, and the spirited bilingual prose ('Immigrant criolla here reporting desade Los Mayamis from our ant-infested townhouse') will engage readers. This feisty coming-of-age tale introduces a funny, fresh, and indelible new voice." Sharks in the Time of Saviors by Kawai Strong Washburn Here's what Publishers Weekly had to say about Sharks in the Time of Saviors: "Washburn’s standout debut provides a vivid portrait of Hawaiian identity, mythology, and diaspora. This family chronicle opens in 1995 Honok’a as the seven-year-old Nainoa Flores falls from a ship, only to be rescued and returned to his parents by sharks. This seminal event in the lives of the Filipino-Hawaiian Flores family marks Nainoa for life as the 'miracle boy,' even as his parents struggle to turn a profit on their sugarcane plantation. As things become more desperate, Nainoa and his violent older brother, Dean, and adventuresome younger sister, Kaui, leave the island to seek their fortunes on the mainland. Dean embarks on a promising career as a basketball player in Spokane only to wind up in trouble with the law, while Kaui discovers her sexuality in San Diego, and Nainoa becomes an EMT in Portland, Ore. Poised halfway between their cultural upbringing and hopes for the future, the family is riven by a horrific tragedy that will test them to the breaking point. Though perhaps overlong, Washburn’s debut is a unique and spirited depiction of the 50th state and its children." Barn 8 by Deb Olin Unferth Here's what Publishers Weekly had to say about Barn 8: "Unferth’s fresh heist caper (after her collection Wait Till You See Me Dance) features a most unusual quarry: 900,000 hens. After a disappointing search for her absent father maroons rebellious teenager Janey in rural Iowa, she takes a job as an auditor for the United Egg Producers and finds a kindred spirit in the disillusioned head auditor, Cleveland Smith, who can no longer consent to the grim conditions in which chickens are bred and slaughtered. Conceiving a madcap brand of ecoterrorism, the two women embark on a mission to liberate the birds. They recruit a wide array of conspirators, including the embittered animal inspector, Dill; a vengeful farmer’s daughter, Annabelle; lovelorn egg salesman Jonathan Jarman Jr.; and Cleveland’s faithful pet hen, Bwwaauk. After weeks of preparation, the gang are on the verge of realizing their fowl-focused emancipation when a botched effort causes more damage to the farm than they’d bargained for. In this outrageous piece of rural noir and pitch-perfect characterization, Unferth recalls Edward Abbey’s The Monkey Wrench Gang with a dose of vegan-minded quirk. This entertaining, satisfying genre turn shows off Unferth’s range, and readers will be delighted by the characters’ earnest crusade." We Ride Upon Sticks by Quan Barry Here's what Publishers Weekly had to say about We Ride Upon Sticks: "Quan (She Weeps Every Time You’re Born) takes a playful, nostalgic run through 1980s suburbia in this tale of witches and field hockey. In 1989, the Danvers Falcons, a high school field hockey team, are on a losing streak. After a depressing defeat, and thinking of the women who were tried for witchcraft three centuries earlier in nearby Salem, Mass., the members pledge allegiance to the devil in exchange for victory. They write their names in a notebook bearing the likeness of Emilio Estevez and wear a raggedy blue tube sock around their arms to mark their pact to an 'alternative god' (as termed by team member Heather Houston), which also includes an agreement to follow 'any urges you might get all the way to the end no matter what.' As the season proceeds, with the team racking up wins at every game, the 10 girls and one boy begin to act on their desires, leading to several losses of virginity, a book burning, bouts of naked dancing in the woods, delusions of grandeur inspired by Lifestyles of the Rich and Famous, and Heather’s crisis of conscience. Barry handles a large cast of characters nimbly and affectionately, allowing each to take a turn or two in the spotlight. Readers with fond, or even not so fond, memories of the 1980s are bound to be entertained." Also on shelves: Actress by Anne Enright, Sansei and Sensibility by Karen Tei Yamashita, and Separation Anxiety by Laura Zigman. Bonus Links from Our Archive: -- What It Is to Be Alone: The Millions Interviews Anne Enright -- Robert Birnbaum in Conversation with Anne Enright -- A Year in Reading: Nick Ripatrazone -- The Post-Apocalyptic Present: On Quan Barry’s ‘She Weeps Each Time You’re Born’ -- Unhappy Trails: Deb Olin Unferth’s Revolution -- A Year in Reading: Deb Olin Unferth — Black and Proud: James McBride on James Brown — The Stories of James McBride

The Millions Top Ten: June 2014

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for June. This Month Last Month Title On List 1. 2. Beautiful Ruins 4 months 2. 9. A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World 2 months 3. 4. The Son 3 months 4. 3. Bark: Stories 3 months 5. 8. The Good Lord Bird 3 months 6. 7. Well-Read Women: Portraits of Fiction's Most Beloved Heroines 3 months 7. 5. Just Kids 6 months 8. - Americanah 1 month 9. 6. Eleanor & Park 3 months 10. 10. Jesus' Son: Stories 3 months   As I predicted in last month's write-up, the ascension of The Beggar Maid to our Hall of Fame means that Alice Munro has now officially graduated to the "Top Ten Two Timers Club" (working title) — a nine-member cohort of authors who've reached the Hall of Fame for more than one book. Consequently, space on the Top Ten has opened up for a new number one -- Beautiful Ruins by Jess Walter -- and for a new addition to the list: Americanah by Chimamanda Ngozi Adichie, which saw a sales bump after it was released in paperback last March, and then again after it was announced that a film adaptation could be on the way. (Of course, being featured on a surprise Beyoncé album never hurts, either.) Millions readers looking for an additional Adichie fix are welcome to check out her contribution to our Year in Reading series, as well. Meanwhile, Rachel Cantor's A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World continues to enjoy breakout success among Millions readers. The book takes place in the not-too-far-off future, where "competing giant fast food factions rule the world." (One could be forgiven for wondering how, exactly, that's different from the way things are right now.) Next month, I expect to see multiple books from our recent Most Anticipated list to make it into our Top Ten. After all, two Millions staffers did just publish books last week, you know... Near Misses: Little Failure: A MemoirStories of Anton Chekhov, My Struggle: Book 1, The Fault in Our Stars, and Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade. See Also: Last month's list.

The Millions Top Ten: May 2014

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for May. This Month Last Month Title On List 1. 1. The Beggar Maid: Stories of Flo and Rose 6 months 2. 2. Beautiful Ruins 3 months 3. 5. Bark: Stories 2 months 4. 3. The Son 2 months 5. 4. Just Kids 5 months 6. 8. Eleanor & Park 2 months 7. 6. Well-Read Women: Portraits of Fiction's Most Beloved Heroines 2 months 8. 9. The Good Lord Bird 2 months 9. - A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World 1 month 10. 10. Jesus' Son: Stories 2 months   In order to graduate to our Hall of Fame, books must remain on the Millions Top Ten for more than six months. The feat has only been accomplished by 82 books in the series's five year history. Within that subset of hallowed tomes, though, eight authors have attained an even higher marker of success: they've reached the Hall of Fame more than once. This accomplishment is remarkable for two reasons: 1) the Top Ten typically favors heavily marketed new releases, so it means that these eight authors have more than once produced blockbusters in the past few years; and 2) because Top Ten graduates must remain on our monthly lists for over half a year before ascending to the Hall of Fame, that means their books must be popular enough to have sustained success. (In other words, marketing only gets you far.) The names of these eight authors should be familiar to Millions readers, of course. They belong to some of the most successful writers of the past 25 years: David Foster Wallace* (Infinite Jest, The Pale King), Junot Díaz (The Brief Wondrous Life of Oscar Wao, This Is How You Lose Her), Stieg Larsson (The Girl with the Dragon TattooThe Girl Who Kicked the Hornet's Nest), David Mitchell (Cloud Atlas, The Thousand Autumns of Jacob De Zoet), Hilary Mantel (Wolf Hall, Bring Up the Bodies), Jonathan Franzen (The Corrections, Freedom), George Saunders (Tenth of December, Fox 8), and — as of this month — Dave Eggers (Zeitoun, The Circle). (*David Foster Wallace has the unique distinction, actually, of having two of his own books in our Hall of Fame in addition to a biography written about him.) Even money would seem to indicate that Alice Munro is poised to join this esteemed group next. Her Selected Stories graduated to the Hall of Fame shortly after her Nobel Prize was awarded in 2013, and her collection, The Beggar Maid, has been holding fast ever since. Meanwhile, the surprise re-emergence of Denis Johnson's Jesus' Son, which has been hovering at the bottom of the Top Ten lists these past two months, indicates that maybe he'll reach that group soon as well. His novella, Train Dreams, graduated in August of 2012. Changing gears a bit: the lone new addition to our Top Ten this month in the form of Rachel Cantor's mouthful of a novel, A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World. The book, which was published last month, was featured in our Great 2014 Book Preview, during which time Millions staffer Hannah Gersen posed the eternal question, "It’s got time travel, medieval kabbalists, and yes, pizza. What more can you ask for?" What more, indeed? Near Misses: Little Failure: A MemoirAmericanahStories of Anton Chekhov, My Struggle: Book 1, and Tampa. See Also: Last month's list.

The Millions Top Ten: April 2014

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April. This Month Last Month Title On List 1. 6. The Beggar Maid: Stories of Flo and Rose 5 months 2. 9. Beautiful Ruins 2 months 3. - The Son 1 month 4. 8. Just Kids 4 months 5. - Bark: Stories 1 month 6. - Well-Read Women: Portraits of Fiction's Most Beloved Heroines 1 month 7. 10. The Circle 2 months 8. - Eleanor & Park 1 month 9. - The Good Lord Bird 1 month 10. - Jesus' Son: Stories 1 month   Major shakeups to the April Top Ten were wrought by the graduation of six (count 'em) titles to our Millions Hall of FameThe Goldfinch, Selected Stories, The Flamethrowers, The Luminaries, Draw It With Your Eyes Closed, and The Lowland. This "March 2014" class of ascendants is noteworthy not only for being the biggest single-month Hall of Fame class ever, but also for being one of the most highly-decorated classes in series history. How decorated? Let's run the tape: Donna Tartt's novel won this year's Pulitzer Prize for Fiction. Alice Munro won the last Nobel Prize for Literature. Rachel Kushner's novel was a finalist for the National Book Award. Eleanor Catton was the winner of last year's Man Booker Prize. And Jhumpa Lahiri's work was shortlisted for that same Man Booker Prize. Objectively speaking, this is the biggest and best class to date. Of course, here at The Millions, our readers have plenty of decorated authors on their "to be read" shelves, and as a result, our Top Ten doesn't so much rebuild — to borrow the parlance of a college football team — as it reloads. To wit: we're replacing a National Book Award finalist, a Pulitzer winner, and a Man Booker winner with two National Book Award winners, a Pulitzer finalist, and Lorrie Moore. Heading off this new crop of titles is Philipp Meyer's The Son, which was a Pulitzer finalist this past year, and which was met with critical acclaim for weeks after it was first published. It's a book that John Davidson described for our site as being, "a sprawling, meticulously researched epic tale set in southern Texas," and one that "leverages" a "certain theory of Native American societies ... to explore the American creation myth." Indeed, Meyer himself noted in his Millions interview that, "If there’s a moral purpose to the book, it’s to put our history, the history of this country, into a context." Additionally, the April Top Ten welcomes James McBride's The Good Lord Bird, which blew past the field at last year's National Book Awards to claim top prize overall. (The announcement of a movie deal soon followed.) For The Millions, our own Bill Morris sang the work's praises and he sang them loudly. The book, Morris wrote in his latest Year in Reading piece, is "one of the most astonishing, rollicking, delightful, smart and sad books I’ve read in all my life." Evidently you listened. New(ish) releases weren't the only new additions to our list this month, either. Sneaking into the tenth spot on our list was a classic collection from Denis Johnson, the winner of the National Book Award in 2007. It's a pity they no longer print the version that fits in your pocket. And what to say of Lorrie Moore, whose addition to the Vanderbilt faculty last Fall was overshadowed by news of Bark's imminent publication? Perhaps it's best if I let the final paragraph from Arianne Wack's profile of the author speak for itself: Exploring the demands of a life is the heart of Moore’s work, and the resonate truth of her prose has fueled a fevered desire for her books. Her characters don’t so much adventure through life as they do drift and stumble through it, making it a map of emotional landmarks, places you keep finding yourself in. One suspects that Moore is not simply writing a life, but cleverly recording yours. There is a commonality linking reader with character, an elastic boundary between her fiction and our reality that both reinforces and subverts one’s own sense of uniqueness. Coming away from one of her stories, one is reminded that we are all just doing this the best we know how. Or better yet, perhaps I should point you toward our own Edan Lepucki's summation of Moore's influence on a generation of American short story writers: We all came out of Lorrie Moore’s overcoat–or her frog hospital, her bonehead Halloween costume.  If you’re a young woman writer with a comic tendency, and you like similes and wordplay, and you traffic in the human wilderness of misunderstanding and alienation, then you most certainly participate in the Moore tradition. Lastly, the April Top Ten welcomes two other newcomers as well. Entering the field in the eighth spot is Eleanor & Park, of which Janet Potter proclaimed, "Rarely is a realistic love story a page-turner, but when I got to the end I tweeted: 'Stayed up til 3 finishing Eleanor & Park by Rainbow Rowell. Would have stayed up forever.'" (The book is being made into a movie, by the way.) Meanwhile, a collection of portraits entitled Well-Read Women: Portraits of Fiction's Most Beloved Heroines enters the list in sixth place, likely owing to its prominence on Hannah Gersen's list of gift ideas from last year. Near Misses: AmericanahLittle Failure: A MemoirStories of Anton ChekhovA Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World: A Novel, and Tampa. See Also: Last month's list.

The Millions Top Ten: March 2014

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March. This Month Last Month Title On List 1. 1. The Goldfinch 6 months 2. 2. Selected Stories 6 months 3. 3. The Flamethrowers 6 months 4. 4. The Luminaries 6 months 5. 5. Draw It with Your Eyes Closed: The Art of the Art Assignment 6 months 6. 6. The Beggar Maid: Stories of Flo and Rose 4 months 7. 8. The Lowland 6 months 8. 10. Just Kids 3 months 9. - Beautiful Ruins 1 months 10. - The Circle 1 month   The first six spots in the March Top Ten are unchanged from February, and only two newcomers — Beautiful Ruins and The Circle — managed to crack this month's list. Their arrival was made possible by the ascension of Meg Wolitzer's The Interestings and Thomas Pynchon's Bleeding Edge to the hallowed ground of our Millions Hall of Fame. It may come as a surprise to faithful Millions readers that this is the first time Jess Walter's Beautiful Ruins has made our Top Ten. First published in 2012, Walter's novel has been a mainstay in our Year in Reading series ever since. First came the estimable trio of Emma StraubRoxane Gay, and Robert Birnbaum, who by turns referred to the book as "precise, skilled, quick-witted, and warm-hearted," "one of my favorite books of the year," and "especially special." More recently, Kate Milliken commented on how it seems the entire world has read the book already, and that she was late to the party when she got to it in 2013. Of course, that didn't stop her from diving in, later confirming what others have said all along: "Jess Walter’s Beautiful Ruins is indeed bumpin’." (If you still need more convincing, then know this: the book is on its way to the big screen, too.) On the other hand, Dave Eggers's The Circle has hovered outside of the Top Ten ever since Lydia Kiesling identified it as "occup[ying] an awkward place of satire and self-importance." It wasn't the most positive review she's written, but it wasn't altogether negative, either: "There are noble impulses behind this novel — to prophesy, to warn, and to entertain — and it basically delivers on these fronts." And if nothing else, Kiesling notes that the book provides a reliable glossary of "awful techno-cum-Landmark Forum-cum-HR-cum-feelings-speak," which should prove useful for anyone hoping to understand the language of blog posts on TechCrunch, ValleyWag, and other sites devoted to the latest digital secretions from Silicon Valley. Stay tuned next month for the likely graduation of six titles to our Millions Hall of Fame. Which books will take their places? Will surprises emerge? As with March Madness, the only certainty is uncertainty, so we'll have to wait and see. Near Misses: Eleanor & Park, Bark: StoriesThe Son, The Unwinding, Well-Read Women: Portraits of Fiction's Most Beloved Heroines, and The Good Lord Bird. See Also: Last month's list.

Final Round of the Tournament of Books

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This year's Tournament of Books comes to an end today, after nearly a month of analyses, debates and thoughtful arguments. In the final round, Kate Atkinson's Life After Life squares off with James McBride's The Good Lord Bird, both of which are, in Héctor Tobar's words, "unorthodox, historical novels." Now that the verdicts are in, the only question is: who won? (You could also read the quarterfinal judged by our own Lydia Kiesling.)

A Year in Reading: Bill Morris

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1. I went to the National Book Awards ceremony in New York last month for a very simple reason.  I wanted to tell James McBride, in person, what I'm going to tell you now: his novel, The Good Lord Bird, one of five finalists for the fiction award, is the most astonishing book I read all year.  It's one of the most astonishing, rollicking, delightful, smart and sad books I've read in all my life. "Why, thank you very much," McBride said from under the brim of his porkpie hat when I bumped into him at the pre-awards cocktail party and told him how I felt about his book.  When I wished him luck at the awards ceremony later in the evening and told him I was pulling for him to win, he waved his arm at the cavernous banquet room and said, "At this point it doesn't really matter.  It's all good." I didn't expect McBride to win the National Book Award that night because he was up against bigger names -- Thomas Pynchon, George Saunders, Jhumpa Lahiri, and Rachel Kushner -- and I long ago stopped believing that artistic awards are based solely on artistic merit.  McBride obviously didn't expect to win, either, because when his name was called out as the winner for fiction, he stepped to the podium without a prepared speech, visibly surprised.  "I didn't think I would win today," he told the crowd of 700.  Then, echoing what he had said to me earlier at the cocktail party, he added, "If any of the others writers had won I wouldn't feel bad because they're all fine writers.  But it sure is nice to win." And it sure is nice to see such a deserving winner.  The Good Lord Bird is narrated by Henry Shackleford, a young slave in the Kansas territory who is freed by the abolitionist John Brown, then, passing as a girl, follows Brown on his various military and political campaigns, all the way to the disastrous raid on Harpers Ferry in 1859, a major catalyst for the Civil War.  (The book's title refers to the red-headed woodpecker, a bird whose feathers serve as charms, a bird so beautiful that when people see one, they cry, "Good Lord.")  Henry, known as Henrietta or "Onion" to Brown and his ragtag army, narrates the story in a frontier vernacular that is by turns hilarious, bawdy, and wise.  Her sharpest insights are on race and slavery, and they're as valid today as they were a century and a half ago.  No one, black or white, slave or free, gets a free ride from Henrietta Shackleford, including Henrietta Shackleford.  Here, for instance, are her thoughts on the lies black people tell themselves: "Fact is, I never knowed a Negro from that day to this but who couldn't lie to themselves about their own evil while pointing out the white man's wrong, and I weren't no exception."  And here's Henrietta on what it means to be black: "Being a Negro means showing your best face to the white man every day.  You know his wants, his needs, and watch him proper.  But he don't know your wants.  He don't know your needs or feelings or what's inside you, for you ain't equal to him in no measure.  You just a nigger to him.  A thing: like a dog or a shovel or a horse." The novel has obvious antecedents in the works of Twain and Cervantes, James Baldwin and William Styron.  But its framing device -- even its opening lines -- owe a debt to another tall tale insinuated from American history, Thomas Berger's indelible epic of the Indian wars, Little Big Man.  That novel purports to be the tape-recorded reminiscences of 111-year-old Jack Crabb, a white man who was snatched by Cheyenne Indians as a boy and grew up straddling the racial divide, living with both Indians and whites, finally fighting alongside Gen. George Armstrong Custer and becoming the only white survivor of the Battle of Little Bighorn. The Good Lord Bird purports to be the reminiscences of 111-year-old Henry Shackleford, written down by a preacher in 1942, then locked away and finally salvaged from a church fire in 1966.  Instead of straddling the racial divide, Henry crosses other lines -- between male and female, freeman and slave, country rube and city slicker -- and he winds up in the heat of battle alongside John Brown, becoming the only black survivor of the raid on Harpers Ferry. Here's the opening of The Good Lord Bird: "I was born a colored man and don't you forget it.  But I lived as a colored woman for seventeen years."  And here's the opening of Little Big Man: "I am a white man and never forget it, but I was brought up by the Cheyenne Indians from the age of ten."  Even the climactic battle scenes share a chapter title: McBride's is "Last Stand"; Berger's is "The Last Stand."  (In a follow-up e-mail, McBride acknowledged Berger's influence, adding that he also drew on the writings of Leon Litwack and Daryl Cumber Dance.) I don't buy books or movie tickets based on awards, and I'm proud to be able to say that I bought my copy of The Good Lord Bird before it was nominated for the National Book Award and I finished reading it before the awards ceremony.  That's not to say I'm opposed to book awards.  As they long as they connect readers with writers -- and sell books -- I'm all for them.  McBride's publisher, Riverhead Books, announced that it was printing an additional 45,000 copies of The Good Lord Bird as soon as the award was announced, bringing the number in print to more than 82,000.  I hope they sell like Krispy Kremes.  James McBride is an important and thrilling writer, and he deserves to be widely read. 2. None of the above is to denigrate the other four fiction finalists for this year's National Book Award.  As McBride put it, they are all fine writers.  Rachel Kushner's The Flamethrowers, in particular, struck me as a book that announced the arrival of a major talent.  The novel, which roams from the Bonneville salt flats to the downtown New York art scene of the 1970s to the political barricades in Italy, was a stirring expansion of the promise Kushner showed in her 2008 debut, Telex From Cuba, which was also a National Book Award finalist.  Both novels exhibit Kushner's outsized gifts: her ambition, her narrative dexterity, her ability to paint complex characters and put them in motion in vividly imagined historical settings.  Whether she's writing about the First World War, pre-revolutionary Cuba, or the 1970s art scene, Kushner succeeds because she understands how to handle her prodigious historical research.  As she told an interviewer, "Just because something is true does not mean it has a place." 3. There were other delights this year.  One of the chiefest, because it was so personal, was the publication of Keystone Corruption: A Pennsylvania Insider's View of a State Gone Wrong, a sweeping history of the chicanery that has been festering under the state capitol's green dome in Harrisburg, Pa., for more than a century.  It was written by a veteran shoe-leather reporter named Brad Bumsted, who happens to be the man who took me under his wing and taught me the reporter's craft at the daily newspaper in nearby Chambersburg, Pa., back in the 1970s.  As I wrote in my essay about Keystone Corruption, "Brad is an important reminder that the more things change, the more they stay the same. Good journalism still matters, it still happens, and it is still built on what it was originally built on -- not technological innovations, but on the ability of dogged, savvy, intelligent reporters to gather information and quickly turn it into factual, even-handed, and engaging prose. Few people have done it longer than Brad Bumsted. Few do it better." 4. Though it was published late last year, I've got to mention a gem of a book that should burnish the reputation of a writer who has written five novels that are classics, even though too few people have read them.  Escape Velocity: A Charles Portis Miscellany, edited by Jay Jennings, is a great teeming smorgasbord of Portis's journalism, travel writing, short stories, drama and memoir.  The book also includes a rare interview with Portis and tributes from admirers, including Roy Blount Jr., Ed Park, and Donna Tartt.  In addition to its abundant wit and wisdom, this book is virtually a connect-the-dots diagram of how Portis the novelist was forged in newspaper city rooms in Tennessee, Arkansas and New York.  I hope it will attract new readers to Portis's novels, Norwood, True Grit, The Dog of the South, Masters of Atlantis, and Gringos. 5. Another writer who deserves a wider audience is Nick Turse, who produced a magisterial work of history this year called Kill Anything That Moves: The Real American War in Vietnam.  Turse argues, persuasively and chillingly, that the mass rape, torture, mutilation ,and slaughter of Vietnamese civilians was not an aberration -- not a one-off atrocity called My Lai -- but rather the systematized policy of the American war machine.  This book's lessons, like James McBride's insights on race, are as valid today as they were when America was blundering its way to a shameful military disaster four decades ago. 6. A pleasant surprise landed in my mailbox in April -- a handsome new paperback edition of They Don't Dance Much, the only novel James Ross published in his lifetime, now widely regarded as the progenitor of "country noir."  This new edition, published by Mysterious Press, includes a foreword by Daniel Woodrell, a Ross acolyte who says he first read the novel in the 1970s because George V. Higgins "vouched for it as both literature and a good time."  A funny, bloody, world-wise tale of violent doings at a North Carolina roadhouse during the Depression, the book was published in 1940 to high praise from Flannery O'Connor, among others, but it sold poorly and soon disappeared.  A new edition appeared in the 1970s, attracting a new generation of fans, including Woodrell.  And now, another three and a half decades after the second edition, we have a third.  As Woodrell writes, "They Don't Dance Much, a novel that was often declared dead but has never been successfully buried, offers a persuasive portrait of a rough-and-ready America as seen from below, a literary marvel that is once again on its feet and wending its way toward the light." 7. Last but far from least, this year the Irish writer Kevin Barry followed up his blistering novel, City of Bohane, with an equally strong collection of stories called Dark Lies the Island.  The man uses the English language like a musical instrument.  I've said it before but I'll say it again: You must read Kevin Barry. More from A Year in Reading 2013 Don't miss: A Year in Reading 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005 The good stuff: The Millions' Notable articles The motherlode: The Millions' Books and Reviews Like what you see? Learn about 5 insanely easy ways to Support The Millions, and follow The Millions on Twitter, Facebook, Tumblr.

Writing on Mute

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Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn't listen to any music while writing. "Because I’m a musician, listening to music is…it’s a bit like work for me," he told The Daily Beast for the "How I Write" series.

2013 National Book Award Winners Announced

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The 2013 National Book Award winners were announced tonight in New York City. The big prize for Fiction went to James McBride for The Good Lord Bird. Upon arriving at the podium to accept his honor, the noticeably shocked author quipped, "I didn't think I would win today. ... If any of the other writers had won, I wouldn't feel bad because they are all fine writers, but it sure is nice to win." His novel, a "literary rendering of John Brown," the white abolitionist who led an unsuccessful raid on the federal armory at Harpers Ferry, Virginia in 1859, deploys an artfulness and an irreverence that, according to one critic, "becomes not a lampooning of champions and calamities but a new kind of homage." The Nonfiction award went to George Packer for his "awe-inspiring X-Ray of the modern American soul," The Unwinding: An Inner History of the New America. Don't miss our full review. The Poetry award was won by Mary Szybist for Incarnadine. During her acceptance, the poet remarked that, "Poetry is the place where speaking differently is the most prevalent." The winner in the Young People's Literature category was Cynthia Kadohata for The Thing About Luck. Earlier in the presentation, E.L. Doctorow accepted the Medal for Distinguished Contribution to American Letters. As our own Bill Morris attests, the award was well-deserved.   Bonus Links: Earlier in the year we dove into both the Shortlist and the Longlist to share excerpts and reviews where available.

Edan Lepucki Interviews the NBA Finalists

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Our own Edan Lepucki (who has a novel coming out soon, by the way…) interviewed four of the finalists for this year’s National Book Awards: Tenth of December author George Saunders, The Lowland author Jhumpa Lahiri, The Good Lord Bird author James McBride, and The Flamethrowers author Rachel Kushner. We reviewed both Saunders and Kushner’s works here and here, respectively, and you can also take a look at the rest of the NBA finalists over here.

2013 National Book Award Shortlists Released

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The contenders for the 2013 National Book Award were pared down to a five nominees in each category today. Winners will be announced in New York City on November 20. Fans of Jhumpa Lahiri will be excited to know that after missing out on yesterday’s Man Booker Prize, the Lowland author is still squarely in the running for the National Book Award. Of course, in order to attain the honor she’s going to have to beat out former Millions Top Ten member George Saunders and Millions favorite Rachel Kushner – as well as previous NBA winner Thomas Pynchon. On the nonfiction list, Millions readers should recognize George Packer’s The Unwinding, which Chris Barsanti called an “awe-inspiring X-Ray of the modern American soul.” At the final awards ceremony on November 20, each finalist will receive $1,000, and each winner will receive an additional $10,000. Additional awards will also be goven to E.L. Doctorow and Maya Angelou, who will be receiving the Medal for Distinguished Contribution to American Letters and the Literarian Award for Outstanding Contribution to the American Literary Community, respectively. The National Book Foundation has also announced that free e-books will be released containing excerpts from each of the works on the shortlist. (We’ll have more on that when it’s available.) Edit: The new e-books are now available for the Fiction Finalists, Nonfiction Finalists, Poetry Finalists, and Young People’s Literature Finalists. (E-books for other platforms are available here.) Here’s a list of the finalists in all four categories with bonus links and excerpts where available: Fiction: The Flamethrowers by Rachel Kushner (Millions review, Millions interview) The Lowland by Jhumpa Lahiri (excerpt) The Good Lord Bird by James McBride (excerpt) Bleeding Edge by Thomas Pynchon (first page, excerpt) Tenth of December by George Saunders (Millions review) Nonfiction: Book of Ages: The Life and Opinions of Jane Franklin by Jill Lepore (review) Hitler’s Furies: German Women in the Nazi Killing Fields by Wendy Lower The Unwinding: An Inner History of the New America by George Packer (Millions review) The Internal Enemy: Slavery and War in Virginia, 1772–1832 by Alan Taylor (review) Going Clear: Scientology, Hollywood, & the Prison of Belief by Lawrence Wright (reviewexcerpt) Poetry: Metaphysical Dog by Frank Bidart (review) Stay, Illusion by Lucie Brock-Broido (review) The Big Smoke by Adrian Matejka (excerpt) Black Aperture by Matt Rasmussen Incarnadine by Mary Szybist (review) Young People's Literature: The True Blue Scouts of Sugar Man Swamp by Kathi Appelt (review) The Thing About Luck by Cynthia Kadohata (review) Far Far Away by Tom McNeal Picture Me Gone by Meg Rosoff Boxers and Saints by Gene Luen Yang (review)

2013 National Book Award Longlists Released

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This year the National Book Award finalists were released in a series of four longlists consisting of ten books apiece. Five finalists in each category will be selected by October 16, and winners will be announced in New York City on November 20. Last year, the fiction finalists included far more male authors than female, however the count is even in 2013. Millions readers will be delighted to find George Saunders’s latest story collection on the fiction list. The former Top Ten member was reviewed on our site last May. Saunders is joined by Rachel Kushner, whose second novel “operates outside — above? — many of the current arguments about the novel,” according to our own Bill Morris. Likewise, Millions readers should be familiar with George Packer’s “awe-inspiring X-Ray of the modern American soul” on the nonfiction list. Here’s a list of the finalists in all four categories with bonus links and excerpts where available: Fiction: Pacific by Tom Drury (excerpt) The End of the Point by Elizabeth Graver (excerpt) The Flamethrowers by Rachel Kushner (Millions review, Millions interview) The Lowland by Jhumpa Lahiri (excerpt) A Constellation of Vital Phenomena by Anthony Marra (excerpt) The Good Lord Bird by James McBride (excerpt) Someone by Alice McDermott (excerpt) Bleeding Edge by Thomas Pynchon (first page, excerpt) Tenth of December by George Saunders (Millions review) Fools by Joan Silber (Millions interview) Nonfiction: Finding Florida: The True Story of the Sunshine State by T.D. Allman (excerpt, audiobook excerpt) Facing the Wave: A Journey in the Wake of the Tsunami by Gretel Ehrlich (excerpt) The Wolf and the Watchman: A Father, a Son, and the CIA by Scott C. Johnson (excerpt) Book of Ages: The Life and Opinions of Jane Franklin by Jill Lepore (review) Hitler’s Furies: German Women in the Nazi Killing Fields by Wendy Lower Freedom National: The Destruction of Slavery in the United States, 1861–1865 by James Oakes (review) The Unwinding: An Inner History of the New America by George Packer (Millions review) The Internal Enemy: Slavery and War in Virginia, 1772–1832 by Alan Taylor (review) Duke: A Life of Duke Ellington by Terry Teachout (review) Going Clear: Scientology, Hollywood, & the Prison of Belief by Lawrence Wright (review, excerpt) Poetry: Metaphysical Dog by Frank Bidart (review) Bury My Clothes by Roger Bonair-Agard (excerpt) Stay, Illusion by Lucie Brock-Broido (review) So Recently Rent a World, New and Selected Poems: 1968–2012 by Andrei Codrescu (interview) Seasonal Works With Letters on Fire by Brenda Hillman (author reading) The Big Smoke by Adrian Matejka (excerpt) American Amnesiac by Diane Raptosh (excerpt) Black Aperture by Matt Rasmussen Transfer of Qualities by Martha Ronk Incarnadine by Mary Szybist (review) Young People's Literature: The True Blue Scouts of Sugar Man Swamp by Kathi Appelt (review) Flora and Ulysses: The Illuminated Adventures by Kate DiCamillo, illustrated by K.G. Campbell (review) A Tangle of Knots by Lisa Graff (excerpt) The Summer Prince by Alaya Dawn Johnson (review, excerptaudiobook excerpt) The Thing About Luck by Cynthia Kadohata (review) Two Boys Kissing by David Levithan Far Far Away by Tom McNeal Picture Me Gone by Meg Rosoff The Real Boy by Anne Ursu, illustrated by Erin McGuire Boxers and Saints by Gene Luen Yang (review)