Prayers for a Thousand Years

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Most Anticipated: The Great Spring 2024 Preview

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April April 2 Women! In! Peril! by Jessie Ren Marshall [F] For starters, excellent title. This debut short story collection from playwright Marshall spans sex bots and space colonists, wives and divorcées, prodding at the many meanings of womanhood. Short story master Deesha Philyaw, also taken by the book's title, calls this one "incisive! Provocative! And utterly satisfying!" —Sophia M. Stewart The Audacity by Ryan Chapman [F] This sophomore effort, after the darkly sublime absurdity of Riots I have Known, trades in the prison industrial complex for the Silicon Valley scam. Chapman has a sharp eye and a sharper wit, and a book billed as a "bracing satire about the implosion of a Theranos-like company, a collapsing marriage, and a billionaires’ 'philanthropy summit'" promises some good, hard laughs—however bitter they may be—at the expense of the über-rich. —John H. Maher The Obscene Bird of Night by José Donoso, tr. Leonard Mades [F] I first learned about this book from an essay in this publication by Zachary Issenberg, who alternatively calls it Donoso's "masterpiece," "a perfect novel," and "the crowning achievement of the gothic horror genre." He recommends going into the book without knowing too much, but describes it as "a story assembled from the gossip of society’s highs and lows, which revolves and blurs into a series of interlinked nightmares in which people lose their memory, their sex, or even their literal organs." —SMS Globetrotting ed. Duncan Minshull [NF] I'm a big walker, so I won't be able to resist this assemblage of 50 writers—including Edith Wharton, Katharine Mansfield, Helen Garner, and D.H. Lawrence—recounting their various journeys by foot, edited by Minshull, the noted walker-writer-anthologist behind The Vintage Book of Walking (2000) and Where My Feet Fall (2022). —SMS All Things Are Too Small by Becca Rothfeld [NF] Hieronymus Bosch, eat your heart out! The debut book from Rothfeld, nonfiction book critic at the Washington Post, celebrates our appetite for excess in all its material, erotic, and gluttonous glory. Covering such disparate subjects from decluttering to David Cronenberg, Rothfeld looks at the dire cultural—and personal—consequences that come with adopting a minimalist sensibility and denying ourselves pleasure. —Daniella Fishman A Good Happy Girl by Marissa Higgins [F] Higgins, a regular contributor here at The Millions, debuts with a novel of a young woman who is drawn into an intense and all-consuming emotional and sexual relationship with a married lesbian couple. Halle Butler heaps on the praise for this one: “Sometimes I could not believe how easily this book moved from gross-out sadism into genuine sympathy. Totally surprising, totally compelling. I loved it.” —SMS City Limits by Megan Kimble [NF] As a Los Angeleno who is steadily working my way through The Power Broker, this in-depth investigation into the nation's freeways really calls to me. (Did you know Robert Moses couldn't drive?) Kimble channels Caro by locating the human drama behind freeways and failures of urban planning. —SMS We Loved It All by Lydia Millet [NF] Planet Earth is a pretty awesome place to be a human, with its beaches and mountains, sunsets and birdsong, creatures great and small. Millet, a creative director at the Center for Biological Diversity in Tucson, infuses her novels with climate grief and cautions against extinction, and in this nonfiction meditation, she makes a case for a more harmonious coexistence between our species and everybody else in the natural world. If a nostalgic note of “Auld Lang Syne” trembles in Millet’s title, her personal anecdotes and public examples call for meaningful environmental action from local to global levels. —Nathalie op de Beeck Like Love by Maggie Nelson [NF] The new book from Nelson, one of the most towering public intellectuals alive today, collects 20 years of her work—including essays, profiles, and reviews—that cover disparate subjects, from Prince and Kara Walker to motherhood and queerness. For my fellow Bluets heads, this will be essential reading. —SMS Traces of Enayat by Iman Mersal, tr. Robin Moger [NF] Mersal, one of the preeminent poets of the Arabic-speaking world, recovers the life, work, and legacy of the late Egyptian writer Enayat al-Zayyat in this biographical detective story. Mapping the psyche of al-Zayyat, who died by suicide in 1963, alongside her own, Mersal blends literary mystery and memoir to produce a wholly original portrait of two women writers. —SMS The Letters of Emily Dickinson ed. Cristanne Miller and Domhnall Mitchell [NF] The letters of Emily Dickinson, one of the greatest and most beguiling of American poets, are collected here for the first time in nearly 60 years. Her correspondence not only gives access to her inner life and social world, but reveal her to be quite the prose stylist. "In these letters," says Jericho Brown, "we see the life of a genius unfold." Essential reading for any Dickinson fan. —SMS April 9 Short War by Lily Meyer [F] The debut novel from Meyer, a critic and translator, reckons with the United States' political intervention in South America through the stories of two generations: a young couple who meet in 1970s Santiago, and their American-born child spending a semester Buenos Aires. Meyer is a sharp writer and thinker, and a great translator from the Spanish; I'm looking forward to her fiction debut. —SMS There's Going to Be Trouble by Jen Silverman [F] Silverman's third novel spins a tale of an American woman named Minnow who is drawn into a love affair with a radical French activist—a romance that, unbeknown to her, mirrors a relationship her own draft-dodging father had against the backdrop of the student movements of the 1960s. Teasing out the intersections of passion and politics, There's Going to Be Trouble is "juicy and spirited" and "crackling with excitement," per Jami Attenberg. —SMS Table for One by Yun Ko-eun, tr. Lizzie Buehler [F] I thoroughly enjoyed Yun Ko-eun's 2020 eco-thriller The Disaster Tourist, also translated by Buehler, so I'm excited for her new story collection, which promises her characteristic blend of mundanity and surrealism, all in the name of probing—and poking fun—at the isolation and inanity of modern urban life. —SMS Playboy by Constance Debré, tr. Holly James [NF] The prequel to the much-lauded Love Me Tender, and the first volume in Debré's autobiographical trilogy, Playboy's incisive vignettes explore the author's decision to abandon her marriage and career and pursue the precarious life of a writer, which she once told Chris Kraus was "a bit like Saint Augustine and his conversion." Virginie Despentes is a fan, so I'll be checking this out. —SMS Native Nations by Kathleen DuVal [NF] DuVal's sweeping history of Indigenous North America spans a millennium, beginning with the ancient cities that once covered the continent and ending with Native Americans' continued fight for sovereignty. A study of power, violence, and self-governance, Native Nations is an exciting contribution to a new canon of North American history from an Indigenous perspective, perfect for fans of Ned Blackhawk's The Rediscovery of America. —SMS Personal Score by Ellen van Neerven [NF] I’ve always been interested in books that drill down on a specific topic in such a way that we also learn something unexpected about the world around us. Australian writer Van Neerven's sports memoir is so much more than that, as they explore the relationship between sports and race, gender, and sexuality—as well as the paradox of playing a colonialist sport on Indigenous lands. Two Dollar Radio, which is renowned for its edgy list, is publishing this book, so I know it’s going to blow my mind. —Claire Kirch April 16 The Notebooks of Sonny Rollins by Sonny Rollins [NF] The musings, recollections, and drawings of jazz legend Sonny Rollins are collected in this compilation of his precious notebooks, which he began keeping in 1959, the start of what would become known as his “Bridge Years,” during which he would practice at all hours on the Williamsburg Bridge. Rollins chronicles everything from his daily routine to reflections on music theory and the philosophical underpinnings of his artistry. An indispensable look into the mind and interior life of one of the most celebrated jazz musicians of all time. —DF Henry Henry by Allen Bratton [F] Bratton’s ambitious debut reboots Shakespeare’s Henriad, landing Hal Lancaster, who’s in line to be the 17th Duke of Lancaster, in the alcohol-fueled queer party scene of 2014 London. Hal’s identity as a gay man complicates his aristocratic lineage, and his dalliances with over-the-hill actor Jack Falstaff and promising romance with one Harry Percy, who shares a name with history’s Hotspur, will have English majors keeping score. Don’t expect a rom-com, though. Hal’s fraught relationship with his sexually abusive father, and the fates of two previous gay men from the House of Lancaster, lend gravity to this Bard-inspired take. —NodB Bitter Water Opera by Nicolette Polek [F] Graywolf always publishes books that make me gasp in awe and this debut novel, by the author of the entrancing 2020 story collection Imaginary Museums, sounds like it’s going to keep me awake at night as well. It’s a tale about a young woman who’s lost her way and writes a letter to a long-dead ballet dancer—who then visits her, and sets off a string of strange occurrences. —CK Norma by Sarah Mintz [F] Mintz's debut novel follows the titular widow as she enjoys her newfound freedom by diving headfirst into her surrounds, both IRL and online. Justin Taylor says, "Three days ago I didn’t know Sarah Mintz existed; now I want to know where the hell she’s been all my reading life. (Canada, apparently.)" —SMS What Kingdom by Fine Gråbøl, tr. Martin Aitken [F] A woman in a psychiatric ward dreams of "furniture flickering to life," a "chair that greets you," a "bookshelf that can be thrown on like an apron." This sounds like the moving answer to the otherwise puzzling question, "What if the Kantian concept of ding an sich were a novel?" —JHM Weird Black Girls by Elwin Cotman [F] Cotman, the author of three prior collections of speculative short stories, mines the anxieties of Black life across these seven tales, each of them packed with pop culture references and supernatural conceits. Kelly Link calls Cotman's writing "a tonic to ward off drabness and despair." —SMS Presence by Tracy Cochran [NF] Last year marked my first earnest attempt at learning to live more mindfully in my day-to-day, so I was thrilled when this book serendipitously found its way into my hands. Cochran, a New York-based meditation teacher and Tibetan Buddhist practitioner of 50 years, delivers 20 psycho-biographical chapters on recognizing the importance of the present, no matter how mundane, frustrating, or fortuitous—because ultimately, she says, the present is all we have. —DF Committed by Suzanne Scanlon [NF] Scanlon's memoir uses her own experience of mental illness to explore the enduring trope of the "madwoman," mining the work of Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Audre Lorde, and others for insights into the long literary tradition of women in psychological distress. The blurbers for this one immediately caught my eye, among them Natasha Trethewey, Amina Cain, and Clancy Martin, who compares Scanlon's work here to that of Marguerite Duras. —SMS Unrooted by Erin Zimmerman [NF] This science memoir explores Zimmerman's journey to botany, a now endangered field. Interwoven with Zimmerman's experiences as a student and a mother is an impassioned argument for botany's continued relevance and importance against the backdrop of climate change—a perfect read for gardeners, plant lovers, or anyone with an affinity for the natural world. —SMS April 23 Reboot by Justin Taylor [F] Extremely online novels, as a rule, have become tiresome. But Taylor has long had a keen eye for subcultural quirks, so it's no surprise that PW's Alan Scherstuhl says that "reading it actually feels like tapping into the internet’s best celeb gossip, fiercest fandom outrages, and wildest conspiratorial rabbit holes." If that's not a recommendation for the Book Twitter–brained reader in you, what is? —JHM Divided Island by Daniela Tarazona, tr. Lizzie Davis and Kevin Gerry Dunn [F] A story of multiple personalities and grief in fragments would be an easy sell even without this nod from Álvaro Enrigue: "I don't think that there is now, in Mexico, a literary mind more original than Daniela Tarazona's." More original than Mario Bellatin, or Cristina Rivera Garza? This we've gotta see. —JHM Prairie, Dresses, Art, Other by Danielle Dutton [NF] Coffee House Press has for years relished its reputation for publishing “experimental” literature, and this collection of short stories and essays about literature and art and the strangeness of our world is right up there with the rest of Coffee House’s edgiest releases. Don’t be fooled by the simple cover art—Dutton’s work is always formally inventive, refreshingly ambitious, and totally brilliant. —CK I Just Keep Talking by Nell Irvin Painter [NF] I first encountered Nell Irvin Painter in graduate school, as I hung out with some Americanists who were her students. Painter was always a dazzling, larger-than-life figure, who just exuded power and brilliance. I am so excited to read this collection of her essays on history, literature, and politics, and how they all intersect. The fact that this collection contains Painter’s artwork is a big bonus. —CK April 30 Real Americans by Rachel Khong [F] The latest novel from Khong, the author of Goodbye, Vitamin, explores class dynamics and the illusory American Dream across generations. It starts out with a love affair between an impoverished Chinese American woman from an immigrant family and an East Coast elite from a wealthy family, before moving us along 21 years: 15-year-old Nick knows that his single mother is hiding something that has to do with his biological father and thus, his identity. C Pam Zhang deems this "a book of rare charm," and Andrew Sean Greer calls it "gorgeous, heartfelt, soaring, philosophical and deft." —CK The Swans of Harlem by Karen Valby [NF] Huge thanks to Bebe Neuwirth for putting this book on my radar (she calls it "fantastic") with additional gratitude to Margo Jefferson for sealing the deal (she calls it "riveting"). Valby's group biography of five Black ballerinas who forever transformed the art form at the height of the Civil Rights movement uncovers the rich and hidden history of Black ballet, spotlighting the trailblazers who paved the way for the Misty Copelands of the world. —SMS Appreciation Post by Tara Ward [NF] Art historian Ward writes toward an art history of Instagram in Appreciation Post, which posits that the app has profoundly shifted our long-established ways of interacting with images. Packed with cultural critique and close reading, the book synthesizes art history, gender studies, and media studies to illuminate the outsize role that images play in all of our lives. —SMS May May 7 Bad Seed by Gabriel Carle, tr. Heather Houde [F] Carle’s English-language debut contains echoes of Denis Johnson’s Jesus’s Son and Mariana Enriquez’s gritty short fiction. This story collection haunting but cheeky, grim but hopeful: a student with HIV tries to avoid temptation while working at a bathhouse; an inebriated friend group witnesses San Juan go up in literal flames; a sexually unfulfilled teen drowns out their impulses by binging TV shows. Puerto Rican writer Luis Negrón calls this “an extraordinary literary debut.” —Liv Albright The Lady Waiting by Magdalena Zyzak [F] Zyzak’s sophomore novel is a nail-biting delight. When Viva, a young Polish émigré, has a chance encounter with an enigmatic gallerist named Bobby, Viva’s life takes a cinematic turn. Turns out, Bobby and her husband have a hidden agenda—they plan to steal a Vermeer, with Viva as their accomplice. Further complicating things is the inevitable love triangle that develops among them. Victor LaValle calls this “a superb accomplishment," and Percival Everett says, "This novel pops—cosmopolitan, sexy, and funny." —LA América del Norte by Nicolás Medina Mora [F] Pitched as a novel that "blends the Latin American traditions of Roberto Bolaño and Fernanda Melchor with the autofiction of U.S. writers like Ben Lerner and Teju Cole," Mora's debut follows a young member of the Mexican elite as he wrestles with questions of race, politics, geography, and immigration. n+1 co-editor Marco Roth calls Mora "the voice of the NAFTA generation, and much more." —SMS How It Works Out by Myriam Lacroix [F] LaCroix's debut novel is the latest in a strong early slate of novels for the Overlook Press in 2024, and follows a lesbian couple as their relationship falls to pieces across a number of possible realities. The increasingly fascinating and troubling potentialities—B-list feminist celebrity, toxic employer-employee tryst, adopting a street urchin, cannibalism as relationship cure—form a compelling image of a complex relationship in multiversal hypotheticals. —JHM Cinema Love by Jiaming Tang [F] Ting's debut novel, which spans two continents and three timelines, follows two gay men in rural China—and, later, New York City's Chinatown—who frequent the Workers' Cinema, a movie theater where queer men cruise for love. Robert Jones, Jr. praises this one as "the unforgettable work of a patient master," and Jessamine Chan calls it "not just an extraordinary debut, but a future classic." —SMS First Love by Lilly Dancyger [NF] Dancyger's essay collection explores the platonic romances that bloom between female friends, giving those bonds the love-story treatment they deserve. Centering each essay around a formative female friendship, and drawing on everything from Anaïs Nin and Sylvia Plath to the "sad girls" of Tumblr, Dancyger probes the myriad meanings and iterations of friendship, love, and womanhood. —SMS See Loss See Also Love by Yukiko Tominaga [F] In this impassioned debut, we follow Kyoko, freshly widowed and left to raise her son alone. Through four vignettes, Kyoko must decide how to raise her multiracial son, whether to remarry or stay husbandless, and how to deal with life in the face of loss. Weike Wang describes this one as “imbued with a wealth of wisdom, exploring the languages of love and family.” —DF The Novices of Lerna by Ángel Bonomini, tr. Jordan Landsman [F] The Novices of Lerna is Landsman's translation debut, and what a way to start out: with a work by an Argentine writer in the tradition of Jorge Luis Borges and Adolfo Bioy Casares whose work has never been translated into English. Judging by the opening of this short story, also translated by Landsman, Bonomini's novel of a mysterious fellowship at a Swiss university populated by doppelgängers of the protagonist is unlikely to disappoint. —JHM Black Meme by Legacy Russell [NF] Russell, best known for her hit manifesto Glitch Feminism, maps Black visual culture in her latest. Black Meme traces the history of Black imagery from 1900 to the present, from the photograph of Emmett Till published in JET magazine to the footage of Rodney King's beating at the hands of the LAPD, which Russell calls the first viral video. Per Margo Jefferson, "You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence." —SMS The Eighth Moon by Jennifer Kabat [NF] Kabat's debut memoir unearths the history of the small Catskills town to which she relocated in 2005. The site of a 19th-century rural populist uprising, and now home to a colorful cast of characters, the Appalachian community becomes a lens through which Kabat explores political, economic, and ecological issues, mining the archives and the work of such writers as Adrienne Rich and Elizabeth Hardwick along the way. —SMS Stories from the Center of the World ed. Jordan Elgrably [F] Many in America hold onto broad, centuries-old misunderstandings of Arab and Muslim life and politics that continue to harm, through both policy and rhetoric, a perpetually embattled and endangered region. With luck, these 25 tales by writers of Middle Eastern and North African origin might open hearts and minds alike. —JHM An Encyclopedia of Gardening for Colored Children by Jamaica Kincaid and Kara Walker [NF] Two of the most brilliant minds on the planet—writer Jamaica Kincaid and visual artist Kara Walker—have teamed up! On a book! About plants! A dream come true. Details on this slim volume are scant—see for yourself—but I'm counting down the minutes till I can read it all the same. —SMS Physics of Sorrow by Georgi Gospodinov, tr. Angela Rodel [F] I'll be honest: I would pick up this book—by the International Booker Prize–winning author of Time Shelter—for the title alone. But also, the book is billed as a deeply personal meditation on both Communist Bulgaria and Greek myth, so—yep, still picking this one up. —JHM May 14 This Strange Eventful History by Claire Messud [F] I read an ARC of this enthralling fictionalization of Messud’s family history—people wandering the world during much of the 20th century, moving from Algeria to France to North America— and it is quite the story, with a postscript that will smack you on the side of the head and make you re-think everything you just read. I can't recommend this enough. —CK Woodworm by Layla Martinez, tr. Sophie Hughes and Annie McDermott [F] Martinez’s debut novel takes cabin fever to the max in this story of a grandmother,  granddaughter, and their haunted house, set against the backdrop of the Spanish Civil War. As the story unfolds, so do the house’s secrets, the two women must learn to collaborate with the malevolent spirits living among them. Mariana Enriquez says that this "tense, chilling novel tells a story of specters, class war, violence, and loneliness, as naturally as if the witches had dictated this lucid, terrible nightmare to Martínez themselves.” —LA Self Esteem and the End of the World by Luke Healy [NF] Ah, writers writing about writing. A tale as old as time, and often timeworn to boot. But graphic novelists graphically noveling about graphic novels? (Verbing weirds language.) It still feels fresh to me! Enter Healy's tale of "two decades of tragicomic self-discovery" following a protagonist "two years post publication of his latest book" and "grappling with his identity as the world crumbles." —JHM All Fours by Miranda July [F] In excruciating, hilarious detail, All Fours voices the ethically dubious thoughts and deeds of an unnamed 45-year-old artist who’s worried about aging and her capacity for desire. After setting off on a two-week round-trip drive from Los Angeles to New York City, the narrator impulsively checks into a motel 30 miles from her home and only pretends to be traveling. Her flagrant lies, unapologetic indolence, and semi-consummated seduction of a rent-a-car employee set the stage for a liberatory inquisition of heteronorms and queerness. July taps into the perimenopause zeitgeist that animates Jen Beagin’s Big Swiss and Melissa Broder’s Death Valley. —NodB Love Junkie by Robert Plunket [F] When a picture-perfect suburban housewife's life is turned upside down, a chance brush with New York City's gay scene launches her into gainful, albeit unconventional, employment. Set at the dawn of the AIDs epidemic, Mimi Smithers, described as a "modern-day Madame Bovary," goes from planning parties in Westchester to selling used underwear with a Manhattan porn star. As beloved as it is controversial, Plunket's 1992 cult novel will get a much-deserved second life thanks to this reissue by New Directions. (Maybe this will finally galvanize Madonna, who once optioned the film rights, to finally make that movie.) —DF Tomorrowing by Terry Bisson [F] The newest volume in Duke University’s Practices series collects for the first time the late Terry Bisson’s Locus column "This Month in History," which ran for two decades. In it, the iconic "They’re Made Out of Meat" author weaves an alt-history of a world almost parallel to ours, featuring AI presidents, moon mountain hikes, a 196-year-old Walt Disney’s resurrection, and a space pooch on Mars. This one promises to be a pure spectacle of speculative fiction. —DF Chop Fry Watch Learn by Michelle T. King [NF] A large portion of the American populace still confuses Chinese American food with Chinese food. What a delight, then, to discover this culinary history of the worldwide dissemination of that great cuisine—which moonlights as a biography of Chinese cookbook and TV cooking program pioneer Fu Pei-mei. —JHM On the Couch ed. Andrew Blauner [NF] André Aciman, Susie Boyt, Siri Hustvedt, Rivka Galchen, and Colm Tóibín are among the 25 literary luminaries to contribute essays on Freud and his complicated legacy to this lively volume, edited by writer, editor, and literary agent Blauner. Taking tacts both personal and psychoanalytical, these essays paint a fresh, full picture of Freud's life, work, and indelible cultural impact. —SMS Another Word for Love by Carvell Wallace [NF] Wallace is one of the best journalists (and tweeters) working today, so I'm really looking forward to his debut memoir, which chronicles growing up Black and queer in America, and navigating the world through adulthood. One of the best writers working today, Kiese Laymon, calls Another Word for Love as “One of the most soulfully crafted memoirs I’ve ever read. I couldn’t figure out how Carvell Wallace blurred time, region, care, and sexuality into something so different from anything I’ve read before." —SMS The Devil's Best Trick by Randall Sullivan [NF] A cultural history interspersed with memoir and reportage, Sullivan's latest explores our ever-changing understandings of evil and the devil, from Egyptian gods and the Book of Job to the Salem witch trials and Black Mass ceremonies. Mining the work of everyone from Zoraster, Plato, and John Milton to Edgar Allen Poe, Aleister Crowley, and Charles Baudelaire, this sweeping book chronicles evil and the devil in their many forms. --SMS The Book Against Death by Elias Canetti, tr. Peter Filkins [NF] In this newly-translated collection, Nobel laureate Canetti, who once called himself death's "mortal enemy," muses on all that death inevitably touches—from the smallest ant to the Greek gods—and condemns death as a byproduct of war and despots' willingness to use death as a pathway to power. By means of this book's very publication, Canetti somewhat succeeds in staving off death himself, ensuring that his words live on forever. —DF Rise of a Killah by Ghostface Killah [NF] "Why is the sky blue? Why is water wet? Why did Judas rat to the Romans while Jesus slept?" Ghostface Killah has always asked the big questions. Here's another one: Who needs to read a blurb on a literary site to convince them to read Ghost's memoir? —JHM May 21 Exhibit by R.O. Kwon [F] It's been six years since Kwon's debut, The Incendiaries, hit shelves, and based on that book's flinty prose alone, her latest would be worth a read. But it's also a tale of awakening—of its protagonist's latent queerness, and of the "unquiet spirit of an ancestor," that the author herself calls so "shot through with physical longing, queer lust, and kink" that she hopes her parents will never read it. Tantalizing enough for you? —JHM Cecilia by K-Ming Chang [F] Chang, the author of Bestiary, Gods of Want, and Organ Meats, returns with this provocative and oft-surreal novella. While the story is about two childhood friends who became estranged after a bizarre sexual encounter but re-connect a decade later, it’s also an exploration of how the human body and its excretions can be both pleasurable and disgusting. —CK The Great State of West Florida by Kent Wascom [F] The Great State of West Florida is Wascom's latest gothicomic novel set on Florida's apocalyptic coast. A gritty, ominous book filled with doomed Floridians, the passages fly by with sentences that delight in propulsive excess. In the vein of Thomas McGuane's early novels or Brian De Palma's heyday, this stylized, savory, and witty novel wields pulp with care until it blooms into a new strain of American gothic. —Zachary Issenberg Cartoons by Kit Schluter [F] Bursting with Kafkaesque absurdism and a hearty dab of abstraction, Schluter’s Cartoons is an animated vignette of life's minutae. From the ravings of an existential microwave to a pencil that is afraid of paper, Schluter’s episodic outré oozes with animism and uncanniness. A grand addition to City Light’s repertoire, it will serve as a zany reminder of the lengths to which great fiction can stretch. —DF May 28 Lost Writings by Mina Loy, ed. Karla Kelsey [F] In the early 20th century, avant-garde author, visual artist, and gallerist Mina Loy (1882–1966) led an astonishing creative life amid European and American modernist circles; she satirized Futurists, participated in Surrealist performance art, and created paintings and assemblages in addition to writing about her experiences in male-dominated fields of artistic practice. Diligent feminist scholars and art historians have long insisted on her cultural significance, yet the first Loy retrospective wasn’t until 2023. Now Karla Kelsey, a poet and essayist, unveils two never-before-published, autobiographical midcentury manuscripts by Loy, The Child and the Parent and Islands in the Air, written from the 1930s to the 1950s. It's never a bad time to be re-rediscovered. —NodB I'm a Fool to Want You by Camila Sosa Villada, tr. Kit Maude [F] Villada, whose debut novel Bad Girls, also translated by Maude, captured the travesti experience in Argentina, returns with a short story collection that runs the genre gamut from gritty realism and social satire to science fiction and fantasy. The throughline is Villada's boundless imagination, whether she's conjuring the chaos of the Mexican Inquisition or a trans sex worker befriending a down-and-out Billie Holiday. Angie Cruz calls this "one of my favorite short-story collections of all time." —SMS The Editor by Sara B. Franklin [NF] Franklin's tenderly written and meticulously researched biography of Judith Jones—the legendary Knopf editor who worked with such authors as John Updike, Sylvia Plath, Elizabeth Bowen, Anne Tyler, and, perhaps most consequentially, Julia Child—was largely inspired by Franklin's own friendship with Jones in the final years of her life, and draws on a rich trove of interviews and archives. The Editor retrieves Jones from the margins of publishing history and affirms her essential role in shaping the postwar cultural landscape, from fiction to cooking and beyond. —SMS The Book-Makers by Adam Smyth [NF] A history of the book told through 18 microbiographies of particularly noteworthy historical personages who made them? If that's not enough to convince you, consider this: the small press is represented here by Nancy Cunard, the punchy and enormously influential founder of Hours Press who romanced both Aldous Huxley and Ezra Pound, knew Hemingway and Joyce and Langston Hughes and William Carlos Williams, and has her own MI5 file. Also, the subject of the binding chapter is named "William Wildgoose." —JHM June June 4 The Future Was Color by Patrick Nathan [F] A gay Hungarian immigrant writing crappy monster movies in the McCarthy-era Hollywood studio system gets swept up by a famous actress and brought to her estate in Malibu to write what he really cares about—and realizes he can never escape his traumatic past. Sunset Boulevard is shaking. —JHM A Cage Went in Search of a Bird [F] This collection brings together a who's who of literary writers—10 of them, to be precise— to write Kafka fanfiction, from Joshua Cohen to Yiyun Li. Then it throws in weirdo screenwriting dynamo Charlie Kaufman, for good measure. A boon for Kafkaheads everywhere. —JHM We Refuse by Kellie Carter Jackson [NF] Jackson, a historian and professor at Wellesley College, explores the past and present of Black resistance to white supremacy, from work stoppages to armed revolt. Paying special attention to acts of resistance by Black women, Jackson attempts to correct the historical record while plotting a path forward. Jelani Cobb describes this "insurgent history" as "unsparing, erudite, and incisive." —SMS Holding It Together by Jessica Calarco [NF] Sociologist Calarco's latest considers how, in lieu of social safety nets, the U.S. has long relied on women's labor, particularly as caregivers, to hold society together. Calarco argues that while other affluent nations cover the costs of care work and direct significant resources toward welfare programs, American women continue to bear the brunt of the unpaid domestic labor that keeps the nation afloat. Anne Helen Petersen calls this "a punch in the gut and a call to action." —SMS Miss May Does Not Exist by Carrie Courogen [NF] A biography of Elaine May—what more is there to say? I cannot wait to read this chronicle of May's life, work, and genius by one of my favorite writers and tweeters. Claire Dederer calls this "the biography Elaine May deserves"—which is to say, as brilliant as she was. —SMS Fire Exit by Morgan Talty [F] Talty, whose gritty story collection Night of the Living Rez was garlanded with awards, weighs the concept of blood quantum—a measure that federally recognized tribes often use to determine Indigenous membership—in his debut novel. Although Talty is a citizen of the Penobscot Indian Nation, his narrator is on the outside looking in, a working-class white man named Charles who grew up on Maine’s Penobscot Reservation with a Native stepfather and friends. Now Charles, across the river from the reservation and separated from his biological daughter, who lives there, ponders his exclusion in a novel that stokes controversy around the terms of belonging. —NodB June 11 The Material by Camille Bordas [F] My high school English teacher, a somewhat dowdy but slyly comical religious brother, had a saying about teaching high school students: "They don't remember the material, but they remember the shtick." Leave it to a well-named novel about stand-up comedy (by the French author of How to Behave in a Crowd) to make you remember both. --SMS Ask Me Again by Clare Sestanovich [F] Sestanovich follows up her debut story collection, Objects of Desire, with a novel exploring a complicated friendship over the years. While Eva and Jamie are seemingly opposites—she's a reserved South Brooklynite, while he's a brash Upper Manhattanite—they bond over their innate curiosity. Their paths ultimately diverge when Eva settles into a conventional career as Jamie channels his rebelliousness into politics. Ask Me Again speaks to anyone who has ever wondered whether going against the grain is in itself a matter of privilege. Jenny Offill calls this "a beautifully observed and deeply philosophical novel, which surprises and delights at every turn." —LA Disordered Attention by Claire Bishop [NF] Across four essays, art historian and critic Bishop diagnoses how digital technology and the attention economy have changed the way we look at art and performance today, identifying trends across the last three decades. A perfect read for fans of Anna Kornbluh's Immediacy, or the Style of Too Late Capitalism (also from Verso). War by Louis-Ferdinand Céline, tr. Charlotte Mandell [F] For years, literary scholars mourned the lost manuscripts of Céline, the acclaimed and reviled French author whose work was stolen from his Paris apartment after he fled to Germany in 1944, fearing punishment for his collaboration with the Nazis. But, with the recent discovery of those fabled manuscripts, War is now seeing the light of day thanks to New Directions (for anglophone readers, at least—the French have enjoyed this one since 2022 courtesy of Gallimard). Adam Gopnik writes of War, "A more intense realization of the horrors of the Great War has never been written." —DF The Uptown Local by Cory Leadbeater [NF] In his debut memoir, Leadbeater revisits the decade he spent working as Joan Didion's personal assistant. While he enjoyed the benefits of working with Didion—her friendship and mentorship, the more glamorous appointments on her social calendar—he was also struggling with depression, addiction, and profound loss. Leadbeater chronicles it all in what Chloé Cooper Jones calls "a beautiful catalog of twin yearnings: to be seen and to disappear; to belong everywhere and nowhere; to go forth and to return home, and—above all else—to love and to be loved." —SMS Out of the Sierra by Victoria Blanco [NF] Blanco weaves storytelling with old-fashioned investigative journalism to spotlight the endurance of Mexico's Rarámuri people, one of the largest Indigenous tribes in North America, in the face of environmental disasters, poverty, and the attempts to erase their language and culture. This is an important book for our times, dealing with pressing issues such as colonialism, migration, climate change, and the broken justice system. —CK Any Person Is the Only Self by Elisa Gabbert [NF] Gabbert is one of my favorite living writers, whether she's deconstructing a poem or tweeting about Seinfeld. Her essays are what I love most, and her newest collection—following 2020's The Unreality of Memory—sees Gabbert in rare form: witty and insightful, clear-eyed and candid. I adored these essays, and I hope (the inevitable success of) this book might augur something an essay-collection renaissance. (Seriously! Publishers! Where are the essay collections!) —SMS Tehrangeles by Porochista Khakpour [F] Khakpour's wit has always been keen, and it's hard to imagine a writer better positioned to take the concept of Shahs of Sunset and make it literary. "Like Little Women on an ayahuasca trip," says Kevin Kwan, "Tehrangeles is delightfully twisted and heartfelt."  —JHM Traveling: On the Path of Joni Mitchell by Ann Powers [NF] The moment I saw this book's title—which comes from the opening (and, as it happens, my favorite) track on Mitchell's 1971 masterpiece Blue—I knew it would be one of my favorite reads of the year. Powers, one of the very best music critics we've got, masterfully guides readers through Mitchell's life and work at a fascinating slant, her approach both sweeping and intimate as she occupies the dual roles of biographer and fan. —SMS All Desire Is a Desire for Being by René Girard, ed. Cynthia L. Haven [NF] I'll be honest—the title alone stirs something primal in me. In honor of Girard's centennial, Penguin Classics is releasing a smartly curated collection of his most poignant—and timely—essays, touching on everything from violence to religion to the nature of desire. Comprising essays selected by the scholar and literary critic Cynthia L. Haven, who is also the author of the first-ever biographical study of Girard, Evolution of Desire, this book is "essential reading for Girard devotees and a perfect entrée for newcomers," per Maria Stepanova. —DF June 18 Craft by Ananda Lima [F] Can you imagine a situation in which interconnected stories about a writer who sleeps with the devil at a Halloween party and can't shake him over the following decades wouldn't compel? Also, in one of the stories, New York City’s Penn Station is an analogue for hell, which is both funny and accurate. —JHM Parade by Rachel Cusk [F] Rachel Cusk has a new novel, her first in three years—the anticipation is self-explanatory. —SMS Little Rot by Akwaeke Emezi [F] Multimedia polymath and gender-norm disrupter Emezi, who just dropped an Afropop EP under the name Akwaeke, examines taboo and trauma in their creative work. This literary thriller opens with an upscale sex party and escalating violence, and although pre-pub descriptions leave much to the imagination (promising “the elite underbelly of a Nigerian city” and “a tangled web of sex and lies and corruption”), Emezi can be counted upon for an ambience of dread and a feverish momentum. —NodB When the Clock Broke by John Ganz [NF] I was having a conversation with multiple brilliant, thoughtful friends the other day, and none of them remembered the year during which the Battle of Waterloo took place. Which is to say that, as a rule, we should all learn our history better. So it behooves us now to listen to John Ganz when he tells us that all the wackadoodle fascist right-wing nonsense we can't seem to shake from our political system has been kicking around since at least the early 1990s. —JHM Night Flyer by Tiya Miles [NF] Miles is one of our greatest living historians and a beautiful writer to boot, as evidenced by her National Book Award–winning book All That She Carried. Her latest is a reckoning with the life and legend of Harriet Tubman, which Miles herself describes as an "impressionistic biography." As in all her work, Miles fleshes out the complexity, humanity, and social and emotional world of her subject. Tubman biographer Catherine Clinton says Miles "continues to captivate readers with her luminous prose, her riveting attention to detail, and her continuing genius to bring the past to life." —SMS God Bless You, Otis Spunkmeyer by Joseph Earl Thomas [F] Thomas's debut novel comes just two years after a powerful memoir of growing up Black, gay, nerdy, and in poverty in 1990s Philadelphia. Here, he returns to themes and settings that in that book, Sink, proved devastating, and throws post-service military trauma into the mix. —JHM June 25 The Garden Against Time by Olivia Laing [NF] I've been a fan of Laing's since The Lonely City, a formative read for a much-younger me (and I'd suspect for many Millions readers), so I'm looking forward to her latest, an inquiry into paradise refracted through the experience of restoring an 18th-century garden at her home the English countryside. As always, her life becomes a springboard for exploring big, thorny ideas (no pun intended)—in this case, the possibilities of gardens and what it means to make paradise on earth. —SMS Cue the Sun! by Emily Nussbaum [NF] Emily Nussbaum is pretty much the reason I started writing. Her 2019 collection of television criticism, I Like to Watch, was something of a Bible for college-aged me (and, in fact, was the first book I ever reviewed), and I've been anxiously awaiting her next book ever since. It's finally arrived, in the form of an utterly devourable cultural history of reality TV. Samantha Irby says, "Only Emily Nussbaum could get me to read, and love, a book about reality TV rather than just watching it," and David Grann remarks, "It’s rare for a book to feel alive, but this one does." —SMS Woman of Interest by Tracy O'Neill [NF] O’Neill's first work of nonfiction—an intimate memoir written with the narrative propulsion of a detective novel—finds her on the hunt for her biological mother, who she worries might be dying somewhere in South Korea. As she uncovers the truth about her enigmatic mother with the help of a private investigator, her journey increasingly becomes one of self-discovery. Chloé Cooper Jones writes that Woman of Interest “solidifies her status as one of our greatest living prose stylists.” —LA Dancing on My Own by Simon Wu [NF] New Yorkers reading this list may have witnessed Wu's artful curation at the Brooklyn Museum, or the Whitney, or the Museum of Modern Art. It makes one wonder how much he curated the order of these excellent, wide-ranging essays, which meld art criticism, personal narrative, and travel writing—and count Cathy Park Hong and Claudia Rankine as fans. —JHM [millions_email]

Daughter of California

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“There is no change of death in paradise.” - Wallace Stevens 1. Pitch dirt onto a parent’s dead body and in that second understand that bits of dirt just became as much part of the parent as any other bit you might hold onto: a snapshot, a clock with bent hands, shoes still bearing the imprint of feet, ties scented with stale aspiration. We mortals grasp. In my father’s last minute as a living, breathing, incorporated entity, he was on the phone with me – or rather a nurse I’ll call Bob held the phone up to my father’s ear. Before my last conversation with my father last September, the first of many unilateral discussions ever since, I had fallen asleep next to my three-year-old, helping her go to sleep, a custom probably far too common in our house with its tilt toward entropy. This house: it is situated in the kind of town for which Manhattanites leave the grid. Faces radiant, they come to trip over our uneven sidewalks, aquiver with the possibility of serendipity and rustication. Obedient to hebdomadal divisions, they rise for their upstate sabbath fully pagan, rousting in ancient corporeal nostalgia: antiques and wine, jam, farmers’ markets, holiday festivals, round bread, any ritual useful in making sense of time, not to mention the oddity of toting around a body bearing desire and all its malfunctions. My father, a geophysicist, would have remarked less on the Manhattan tourists and more on the old granite of upstate New York, its igneous intrusive so different from the endless metamorphic slop and shift of soft Californian plates in which sections of oceanside cliff change overnight, where if a tsunami won’t get you, a shark will. This same scientist once stood in his office, an old, almost condemned Art Deco building in an Oakland not yet refurbished by Jerry Brown’s idealism. Under and around him the great earthquake of 1989 terrorized the earth. In a building not up to code in its seismic retrofitting, there my father stood under an antique chandelier and not under a doorframe as all Californian schoolchildren learn early in primary school, nor under a desk or table, but keeping his balance on the rolling earth. From timing the swings of that potentially lethal lamp, my father factored the P and S waves on the surface of the land and in this way estimated the geographic navel of the earthquake, its epicenter. Later he was pleased not so much to have survived without a scratch, given that the quake figured 6.9 on the Richter scale and caused scads of devastation, but rather more tickled that his knowledge of California fault lines and mathematics had positioned the epicenter accurately, some fifty-six miles away on the coast of Santa Cruz. The night of his death, while half-sleeping in New York, the night that started a period of not just unilateral conversation but unknowable maps, I heard my husband say: I got a call. Your father’s dying. This time it’s real. For years this father, half bon vivant and half scientist, had been creeping farther and farther out onto an isthmus of abstraction. I found it easiest to understand the clouds that increasingly populated his watery blue eyes and his similarly aqueous mind as some brilliant philtre the body seeped into one’s brain as a way to soften the fear of dying. My father loved to put on a brave show. Despite his early years in Israel that had made him a chalutznik, yet another pioneer taught that men should sport only fur but no sensitivity, like all of us he had his favorite talismans against fear and the frequency of their apparition could show even a casual observer how afraid he really was. His military posture, for one, with its rigid grace, which made his bearded self look at, say, a party – this was a man who loved parties – like a blue-eyed Lincoln reconfigured as your average broad-shouldered lieutenant. He would sit smiling and upright as if to say: I am here, I claim this spot on the mobile earth, nothing threatens me, I am ready for pleasure. Another talisman against fear would be one of his favorite morning songs, a kabbalistic melody whose words, translated from Hebrew, told him that all the world is a narrow bridge, and the most important thing is not to fear (the passage from life to death). In his long, stretched-out dying, he showed a survivor’s tenacity, his final talisman: if theoretically he wanted to die, in reality he found it hard to leave the party. 2. We the living become quick adepts in our trafficking in the jargon of meds which, in our modern-day business of dying, act as a professional undertaker, fake in their helpfulness, the words that slither and whisper and prompt us alongside our slow processionals toward a funeral. Or you could say we become a kind of snake swallowing the elephant of death, à la the illustration in the early pages of The Little Prince which shows the elephant bulging inside the boa constrictor. Therefore, to use the jargon our family so obediently swallowed: for months prior to the flash and siren of the last ambulance taking him to the last hospital, my father could be found in a “skilled nursing facility”, an infelicitous phrase which always made me wonder, what, as opposed to that other facility known for its staff so judiciously unskilled? In his non-home, attended to by those with skills, he had been lying in bed or in a wheelchair, playing pioneer tunes on his harmonica in desultory fashion near the nurses’ station, positioned on an island which was a decommissioned naval base out in northern California. Could it have been more perfect that the name of his home, dedicated to liminal states, was Water’s Edge? What I tried to understand that mapless last night of his life was that this time his dying was real. From our entropic New York aerie, this was the totality of what I could divine. I sat in our tiny dining room next to my husband who was dialing the hospital and using his best Brooklyn-bred diplomacy to get through the telephone lines into the exact right artery that would lead into the ER and whatever last bit of listening might be left in my father’s ear. I should say that I sat like a penitent schoolgirl, fists clenched between tight knees, waiting in a room that had just lost its circulation. I chilled, for once the phrase right, since the temperature of the world had just dropped. While my mate tried getting through, it seemed everyone else in my family also tried the lines, this being a family not known for its lack of words. Of course at this second the lines would be getting clogged, heart to head, family flocking to its cerebral patriarch, and in seconds I would lose the chance to – to do what? Use words to sustain a last moment? Did the urgency of needing to talk to him have to do with affirming our connection? To say life and all its recent indignities had mattered? To show that despite being geographically challenged I would care and then care always, memory conjugated out over the rest of my lifetime?  I cared, I care, I will care, those who don’t know you will care, you have a legacy. Before those crucial seven ounces of consciousness left his body, I had to tell him he mattered, that all of the suffering and aspiration of his life had been worthwhile, that we mattered, that he would continue to matter within the context of the living. 3. Since the dawn of the answering machine, I have been a phone-phobe, voice seeming such a poor substitute for presence. This unfortunate sensibility makes me lack the grace of friends who sound ready and delighted to answer a ring, those with the talent of making time expand accordionlike in their affinity with Graham Bell’s invention. Instead, and this serves as no apologia, I seem always to hang up first, cavemanlike, unrefined and coarse: there should be a twelve-step program for those like me. Hi, I’m Edie and I do bad phone. While email redeemed most of my social life, which it did, my aversion to the phone stood as one of many traits which my father, with his take-all-comers attitude but his unfamiliarity with computerized letters, accepted as a quirk. Simply, therefore what I was awaiting in that pendulous minute before my minute to talk with my father arrived was this: make of the phone a friend. It was all I had. My husband handed me the receiver and Bob the nurse came on to say: You want to say your goodbyes. Right, I thought in that nanosecond, brilliant, that’s the name for it, I’m going to say my goodbyes. The plural fit for a man of my father’s complexity, suspended in a metaphysical state of so many parts, within a state of so many pluralities. And until that moment I had not realized that every person has stored within some finite amount of goodbyes for each person who matters and that right now, despite all brink moments and prior goodbyes, I was about to use up the last goodbye, tagged for him alone. This time the goodbye reverted to a greater status. I was about to spend my last goodbye as if some Maximum Leader had just declared the currency of goodbye not debased by all its manifold apparitions. This time the currency would count. 4. For five years, all my father’s near-deaths had summoned me from New York back to what will forever feel like home: California. Each death seemed realer than the one that came before. Each time my father’s Egyptian lady doctor said to me if it were my dad I’d come now. Westward I flew, often with a baby on my lap, and the babies grew. The youngest especially became a fan of firetrucks, given the coincidence of their hectic arrival, coming to oxygenate her grandfather every second day after we arrived for a visit to California. There he would be, in his medically outfitted room off the kitchen on the lower level of my parents’ house, his heart exalted by the nearness of family but his lungs drowning in the fluid that kept wanting to fill that aqueous spirit, and once again we would be summoning empirical data and conventional logic in order to persuade the scientist, the traveler who now wanted to stay home, that this was something of an emergency. There I would be, fingers robotic in dialing 911 for the firemen to come again – I got to know them -- up the fifty-one stairs to the house in order to put yet another oxygen mask on him and spirit him away and me into the plethora of questions that came in his wake, all from the young truck-lover (who now every night, her choice, her subliminal Yahrzeit, sleeps in a plastic replica of all those firetrucks): Where do the firemen take him? Why does Saba wear that mask? Will they fix Saba so he can walk again? And my own questions, all mainly circulating around this question: did he not once get me to promise that his life’s coda would have the dignity of freedom he had found in his adopted state? But who was not to say that in his travels, bedbound, he was not fulfilling the imaginative promise of California? 5. Consider the name. Unlike other states drawn from Spanish – Colorado (“red”), Florida (“flowered”), Nevada (“snowy”)  – the name California itself is a made-up place, drawn from a fantasy land mentioned in Don Quixote. Which suggests how readily you, too, can project on a land made up of such shifting plates. It is a shock to encounter, say, a tenth-generation Californian – though they do exist, great-grandchildren of dusty legacy and agricultural ingenuity, usually the great-grandsons of early ranchers with some Mexican or Spanish romance thrown in. Consider that whenever America encountered problems with coexistence, which sounds better in Spanish, convivencia, it expanded its territories westward, so that a slow seep of individualism spread from the tight eastern harbors out toward the hyper-individualism of California, which may go a long way toward explaining why people from the middle states tend to be so other-directed and polite, a legacy of making do enough to declare, as in the license plates of Oklahoma, hey, this state is okay. While people in California must perform elaborate yogic or Buddhist tricks to come out feeling their state is okay. They come to California to go beyond the quais, to find their big dreams, seeing it as Don Quixote might have: the state will be a kindly queen, allowing them to realize in large acres and billboards their fantasies. This was how my father, a resourceful, adaptable person, well-suited in psyche and profession to the state, used it. An ambitious restless geophysicist, he was dedicated to, as one of his company’s business cards had it, the evaluation and exploration of natural resources. Part of the liberty of the state, of course, has to do with the weather: it rarely constrains you, and when it does, the constraint has the dimensions of a Greek tragedy, as only the biggest ecological disasters take foot here: earthquakes, tsunamis, mudslides, fires, geological capstones fitting the dimensions of the state, the heroic flaws and grand destinies of those drawn to it. If every state has a psychological age appropriate to it, California is forever an adolescent, dreaming in bright colors and assuming suicidal proportions at its misfortunes. Which may be one of the reasons, right before we moved into its take-all-comers embrace, the state assumed leadership in that youngest of decades, the sixties: the civil rights movement, the free speech movement, the rollicking music and the rocking hills of Haight-Ashbury all fit the national demographic bulge of youth. Accordingly, the majority of my friends’ parents came from the following range, one drawn from the disappointed dreams of youth: drifters, horse-race gamblers, Vietnam vets, café chess players, social agitators, drug users, therapists, famous musicians, polyamorists or ex-psych ward types. Many were divorced, or separated, or lived in alternative arrangements. By contrast my family seemed solid and well-endowed, conventional, with two working parents, their indiscretions unknowable. California and the times may not have made much of a dent in my parents’ Old World creamed herring and Mediterranean tomato-cucumber-lemon-onion diet, but it did allow them to wear peasant shirts from my father’s many travels at all the many parties they hosted, parties in which my mother, an engineer at the public transit system, would invariably at some point don her green jeweled bellydance outfit to shimmy before the guests, ululating as she had taught many of them to do, often accompanied by the happy jiggling students she also taught in a swirl of cloths on Sunday mornings, all before she invited my father up to do a sort of loose-hipped sheikh host imitation with her before all of them: California at its multiethnic apotheosis. Come to the party and we’ll dance for you! The one common social denominator in any setting was this: the body, its hopes, its staving off of decay. 6. My response to this awareness of social disparity – all that we seemed to have in relation to all others seemed to lack – was to try to bring people in to what seemed the potluck bounty of our house, and even without my intervention, an uncountable many came and lived with us. A lost mother of a friend with her daughter; the daughter of a pot-smoking vet who later became something of a celebrity murderer; a German exchange student; a therapist; a secretary; a massage therapist; a lost philosopher; a friend with stepmother troubles; a friend with stepfather troubles. The list goes on. We had a succession of housekeepers who lived in the basement apartment, and one had an ex-boyfriend who came by, parking his red-painted former milk truck on our cul-de-sac for a week. I would bring him treats until I finally asked my parents if he too could not live in the house, one that had been bought for $25,000 back when that area of South Berkeley, not far from the invisible but real border with Oakland, was considered too close to racial troubles. In our basement kitchen, this latest of our inhabitants penned for his dented guitar a song that ricochets around my head sometimes, a Californian anthem with one of those strident melodies of childhood: I’m a drifter and I drift this world around And I know who I want to be and just where I’ve been To be free to flow with the wind (2x) And despite or because of all its disappointed dreaming drifters, the town seemed to function, believing itself a microcosm of the world, the best of the best to be found there, believing itself potent on the world stage. Alice Waters was starting Chez Panisse, the gourmet ghetto mentality of the town was radiating out, the town was claiming its position as the only American city to have its own foreign policy and my father’s grandiosity linked with the town’s. Just as, after an early rise and fall in sheep husbandry, my father had gotten involved with geothermal energy, because geophysics seemed a concrete, practical way to help Israel and also, somehow, to save the world, just as every family trip we ever took had to do, inevitably, less with pleasure and more with a visit to sulfurous, spitting sections of the earth where you would be dwarfed by the grandeur of nature and its machinations, even after the fog of his dementia started to cloud in, my father never proved lazy. As he started his long slow dying, I would, as ever, try to make of the phone a friend and call him. If I asked how he was doing, he might say: well, some medieval colleagues and I were trying to figure out all the names of god and the colleagues were really quite congenial. Or: someone handed me a capsule containing a worm that could destroy humanity and I was just figuring out the best way to save everyone. He had, like the small liberal town he had chosen, long had a utopian mission to save the world. He had started an Israeli cultural circle and would invite prominent Bedouins, Palestinians, and Arabs to come speak to that volatile group of talkers. He supported causes, soup kitchens, candidates. The Department of Energy named him, with great ceremony and a placard, an energy pioneer. He did what he could in his way, writing a poem that appeared in a millennial anthology Prayers for a Thousand Years that had a last line that went something like this May I in my small way do the best I can, knowing that for my time I did the best I could for others And for all his love of trafficking with high and mighty causes, people, places, he remained a socialist, a person who wore the same holey plaid shirts, who would say, if a vase broke: it’s just a thing. He never went out without a roll of quarters in one of his threadbare pockets, ready to dispense change to people in need. He was unafraid of homeless people found sleeping in his car and would give them a ride wherever they needed. When at age fourteen I was caught stealing sunglasses for my brother’s birthday, from a drugstore on Telegraph Avenue, the open-air post-hippie emporium street that hosted so many lost denizens, under the influence of all those friends the product of those broken post-sixties Californian homes, my father did not scold me. Instead he merely shook his head, hours after my release from a scary graffiti’d cell, and said: Look, Edie, it’s never the thing that counts when you give a gift, it is the thought. Thought is everything. In later life, accordingly, he also inhabited his body as if it were an uneasy, stolen perch, an afterthought, a car in which his homeless self happened to find itself. Once, on a business trip while I was living on the Upper West Side, he visited me and said goodbye to me on Broadway. I watched him walk away, his back disappearing into the sidewalk masses. A father barely skimming the earth, he carried not even a briefcase, a stick-skinny man whose movement radiated out from a loose central axis, his wrists flopping out a bit as if the wind could spirit him and his untailored suit away. 7. Sometimes, during my father’s long dying, our upstate-New York family flew west to spend some summer month in one housesitting situation or another, caring for this canary or that dog, my daughters delighted to be in the ease of extended family and the weather that surrounded them. Their sociable grandfather, who had always had a bipolar way of saying goodbye – either expert in the gooey and endless Jewish art of goodbye, or Israeli in the way he could say, for example, to someone he was chauffeuring I love you, now get out! – would be equally delighted by the multiplication of family. His party never ended, the goodbyes never stopped, and meanwhile the meds worked their damage, fighting a war in his liver, the meds that said to his corporeal being, essentially, the opposite of I love you, now get out! I destroy you; now you must stay in life! 8. A few months after my father’s death, the attending doctor described Bob, the last person in that last room, as a kind and dedicated representative of the art of nursing, a practice for which I only gain respect each passing year of my own life as a two-time mother and mortal. There Bob was, on the phone in that expanse of time, his voice so dry and tight it almost sounded sarcastic, conveying over the unclotted line the atmosphere of the emergency room, thick with death, telling me: You want to say your goodbyes. Yes? I said. You can talk, he can hear you, he said. He could hear but could he listen? Back to the character of this father of mine. In the same way that I was living in exile, out in New York, forever hankering for the calm skies of my northern Californian childhood, the freedom of being able to go outdoors with your children any time you darn well chose, my father had lived his whole life in exile. We grew up in a little Israel of the imagination, set, provisionally, in the liberal airs of Berkeley. My father’s Israel had begun in 1933, where he had moved when he was three. Prior to that, his family had lived in the small Polish town of Przmsl where his father, Joshua, had been a woodsman and a community leader. When anti-Semitism roved their town like some fanged beast, Joshua scented survival and took his family to Haifa. Soon after, all the family -- the uncles and grandfathers and cousins who remained in Poland -- were killed. Survival instinct, therefore, lived deep in the nature or nurture of the family. Someone who married into the Meidavs traced our geneology back point by diasporic point through the Maharal of Prague, the Baal Shem Tov and Rashi, through Lucca, Italy, through the house of David and all the way back to some humble Palestinian second-century BC sandalmaker named Yohanan, and something about this millennial-long connection to the land paradoxically provided succor to my increasingly leftist father who loved the ideation of the Palestinian thinker Sari Nusseibeh. To his death, this American exile remained an exponent of the two-state solution, clearly a “yored”, a person who had “come down from” Israel, a distant survivor of an era and not, as our Israeli cousins liked to point out, a person on the ground, like his more rightist brother who had remained in Haifa. Part of my father’s lofty idealism – so well suited to both California and his Israel, the Israel of the 1950s, before a moral conscience started riddling certain sectors --  meant that a favorite book among the many antique books in his collections was a set of lithographs done by David Roberts, Travels to the Holy Land, in which the Englishman had penned lovely romanticizing images of Bedouins hunkered down by a well, little aquarelle-like images of the land and its peoples coexisting, and for copies of books such as these, preserving the memory of a time before strife, my father would travel to book fairs seeking out unfoxed copies of the early Holy Land. In this way and in so many others, my father was ideally suited to California. Because California seems to listen but insists on rose-colored landscapes. It has the compelling charisma of a narcissist, one which lures emigrants out to fulfill internal, narcissistic dictates. In its royal beneficence it makes lifestyle urges, ethical or sybaritic, holy, the body its temple. 9. Stay simple, a handwritten imperative on the cover of a notebook of one of our Berkeley house’s many inmates dictated. Stay simple, an idea perplexing my child’s mind. Was it better to stay simple so one could feel the world and all its categories better, anew, as if one were truly an innocent? Or was it better to gain in the intricacies of the world, cultural or natural, so that one could better understand its phenomena? Is it better to know the name of a leaf or does knowing the name mask appreciation of the leaf? If you could, hypothetically, wash yourself clean of culture, would you then live the life of the body more purely? Our California had all the romantic-savage idealism of Truffaut’s Wild Child, in which the wolf-boy loses the inner truth of his body once he is civilized, yet our California also had the gourmet jadedness of your average American international food court: sample the best of everywhere else, become a multiplied citizen, and why ever leave? Motion could become stasis in the perfect microcosm of Berkeley. 10. We came to the zion of California, and specifically Berkeley, after my family had already tried out Saint Louis, Haifa, Toronto, Westbury. We came the year the sixties truly ended, that is, in 1974, when the whole city was entering what I would later realize was one prolonged hangover, the buzzkill that included Reagan, the Charles Manson years, the various propositions announcing that people did not want to pay taxes to support anyone other than themselves. Vietnam veterans smoked their only pleasant artifacts of the war, their tiny pinched hoardables, sitting on the curbs along Telegraph Avenue, the main drag toward the university, steeping the whole area in sickly sweet fumes. Open-air sellers sold hippie jewelry – and what did ever happen to macramé, which seemed such an important art to my young self, as important as basket-weaving or the making of incense-holders? – underneath a mural depicting the people’s struggle to save People’s Park from the pigs, the police. There was a sense of revolution mutely dimmed. Now the bourgeoisie got to eat their massive alfalfa-sprout salads while kids growing up during that time in that place got to see what happened if you went the way of drugs, a massive cautionary display on every corner. So in the end the body became the path of improvement California’s adolescent desire to make a better world, once nipped, became the realpolitik of someone entering their late twenties and early thirties, the more mature evaluation made by someone who realizes their own risks and mortality and who then makes adjustments. In the buzzkill years, seeded by a genealogy beginning with the Jack LaLannes and continued by the Jane Fondas, what the state’s citizens were left with was the body. In the state I grew up in, the body was everything. You could retreat into the body and its nurturance and rejuvenation, its vitamin protocol or cryogenic suspension. Retreat into a fanfold of body therapies because the body would not betray, or if it did, it was your fault. You could control your health, as well as your fate, and any illness was a sign of poor internal combustion. Every adult I knew was dedicated toward some form of self-development, and these forms usually radiated from and toward the body. From northern California all these body therapies – what we could see from another vantage as focused outcomes of the gold rush -- were introduced, refined, reified, consolidated. Trager points, polarity, dance continuum, Rolfing, tai chi. Because, finally, when you had renounced your birthright, when politics had betrayed you, when you could not believe in your dreams, in community or connection or culture, you would always have the body, its urges, and the sophrosyne of the state writ upon it. You could endlessly self-improve, climb fire trails, eat more phytonutrients, meditate for hours a day and thus insure your own longevity or at least your survival when the great cataclysms would come, and bet your earthquake insurance come they would. On the east coast and perhaps everywhere else, when people find a body therapy they like, they cling to it as if it is a splintered board after a shipwreck, singular and intense in their devotion to it, truly zealous acolytes in crowded corridors in Manhattan or in meetings in little hard-to-find restaurants. But on the west coast, people slip in and out of the ever-present therapies – because to survive in a place that doesn’t squeeze your contours with a social contract as, say, with New England’s lawns and flags, you need to have some kind of pressure around your corporeal self – with an ease and blending akin to all the state’s experiments with pineapple and pimiento: California Pizza Kitchen indeed. 11. My parents were not wholly immune to these new-fangled body therapies but also, interestingly, managed to remain in a prior century. My mother used olive oil on her face; my father used hair grease, part of a storm-cloud gathering of intention prior to any important business meeting. Of course he had other icons, all bespeaking the dream of ultimate mobility: the cologne of departure, the briefcase, the traveler’s Dopp kit with its tweezers, band-aids, scissors, shoe polish, an open briefcase. Most of my father’s life was spent in movement. When I was young, he would travel for months at a time for the United Nations to develop sustainable energy projects in Ethiopia, Honduras, Kenya, the Philippines and who knows where else. My favorite memory of him from my kindergarten years is of a card he sent to me in his careful, floral immigrant cursive, a bird’s African feathers tufted on the front. In his absence, like our last phone call, the token became everything, a talisman of presence. After his brief stint for the U.N., where he couldn’t stand being a company man, out in California, the land of possibility and future attainment, he started two companies. Over his career, he traveled the world and it was only after his death, as I took the plane westward that chilly middle of the night, that I realized that on planes, trains, boats, in any movement whatsoever, I had always been closest to him. A few months after his death, I went on an already planned research trip to Nicaragua and realized, as the plane began its touch-down in Managua, the local women around me busily applying eye-makeup against the backdrop of volcanos, how so many moments of his life were spent in true California sybaritic fashion, enjoying and appreciating the artistry of the people around him. Of, say, the chef at the Hotel Cesar in Managua. I knew how much he loved this hotel because he had taken me to it once, on a business trip where I would serve, nominally, as his interpreter. For him, as with any Californian doing tai chi in the sun, any pleasure could be justified if it could somehow be categorized as being in the service of utopian work. Since he was forever a man confident about his children’s capacities and blithe about risk, being the kind of person who had fallen many times in his life – once down an elevator shaft in Haifa, once into a geothermal hot spring in Greece -- he decided to send me, on this first trip to Nicaragua, packing with a team of boys on laden burros up the volcano of Momotombo so that, using machetes ahead of the burros as we rode, we could place antiquated seismic monitors in strategic locales. He wanted me to know the liberals’ favorite fantasy, the pleasure of being one with the people; he thought I would want this experience and in this he was not wholly wrong. While he certainly liked knowing fancy people, he was also wholly unpretentious in how he tried to connect with anyone he met, whether parking attendant or fellow passenger, and was always filled with stories of strangers he had met on a trip, humble or grand, this woman whose charity in Nicaragua he had decided to support or some Oakland Baptist evangelist whose family needed succor. In his desire to give me this common touch, that first trip to Nicaragua, of course he could not have predicted that perhaps it formed part of the strategy of this team of Nicaraguan brothers to lose me and the youngest brother in the endless jungle so that the youngest could entertain half a hope of losing his virginity, and that this meant that the brother and I ended up truly lost, with no water or food, clinging to trees above the nighttime cobras. Nor could my father have predicted that in the morning we would magically manage to pull the reluctant burros on circular paths toward, finally, an exit from those miles of wilderness. After the slow return back to the safety of his Hotel Cesar, his home, after this life-or-death jungle experience, I was perplexed by the way my father sighed, relieved: I am just glad I did not know it was happening. I would have sent helicopters to try to rescue you. Perhaps this meant that he would rather remain in hopeful ignorance than have to admit to friction. This possibly Israeli trait was another that suited him well to California, where people prefer to pursue the specificities of lifestyle, each one facing the ocean, rather than being aware of the particularities of all who rub shoulders next to them. During that first visit to Nicaragua, after the life-or-death experience in the jungle, he and I stayed a few more days at Hotel Cesar where he chatted often with the chef, a bit like Hemingway in Cuba if without the drink. He was apparently happy to sit poolside, speaking an intelligible if slow Spanish to one after another person in endlessly futile business meetings. His Nicaraguan ventures, motivated by a typically idealistic desire to provide a sustainable clean energy source to poor people, never quite got off the ground. Part of this failure, as one associate later told me, had to do with his refusal to adhere to  important local customs, bribery paramount among them. And clinging to some self-spun philosophy, his fortunes went down, as they often did, like those of your average 1849 gold miner. 12. When I came for the second time to Nicaragua, I was glad to be in a space not demarcated by him, a tatty little inn and not his Hotel Cesar, though I, nonetheless, like him, relied hugely on the kindness of strangers. On this trip, soon after his death, I felt especially close to him, a father who easily made of random new acquaintances a mobile family, much like the energies of his chosen profession and our California. What he had bequeathed me: to be in exile, making only of the body and one’s immediate acquaintances a home. His most religious custom was to check into a hotel in some foreign city and then to call home, call my mother, call any one of us to tell us he had gotten in and what his latest geographical coordinates were: the purpose had arrived at its goal, and in this, my parents accorded each other great latitude. In movement – the dream shared by Zion and California – one could find meaning, purpose, belonging. Say your goodbyes then, said Bob the unflappable nurse. In other words, make a cord to a man of so many moveable parts. In that one last second I had to talk to him – fittingly exiled -- the trumpet-blast of a lifetime together came out of me: Dad, I said, never having really known what name fit a man of so many origins, you are responsible for so much of anything that is good in me and your children and grandchildren love you and we’ll do what we can to honor your memory and legacy and all the good you’ve sown and you’ve been holding on so long and now it might be your time to let go and do you remember that song you loved about all the world being a narrow bridge, the important thing being not to fear and – I got to hang up now, said Bob the knowledgeable, sixty seconds into my swan song. Thirty seconds later, according to later reportage, my father, who allegedly smiled and nodded lightly as I spoke, was dead. No one gives you a user’s manual to how such moments proceed. Somewhere inside I had signed a contract that I would be by my father’s side when he died, a kind of fellow traveler, as if my childhood in Berkeley – that made-up Californian confection, a pastiche of a bardo, made up of everyone else’s in-between  spaces, a kind of tunnel -- meant I had to be with him in this final threshold zone. That we had that last moment could have relieved me, just as my father was relieved not to have sent helicopters to rescue me from near-death in that Nicaraguan jungle. To be close but not to have to feel the pain of potential separation. I could have said: jeez, at least I got to talk to my dad in his last second. He heard me, he smiled. Instead, when a minute later the doctor called us in New York to tell us what we already knew, I felt I had betrayed my father’s legacy. I had not been by his side. I had taken his California Zion lesson too deeply. I was a person too much in movement, too much a traveler, exiled, too far away, following dreams of my own. And still that doctor’s call released me from a deep freeze. I ran through our house as if on amphetamines, middle of the night on tiptoes, unable not to rush, as if it would change anything if I were speedy in booking a ticket from Albany, the nearest airport, so I could fly toward California. We the living scurry while our dead have all the time in the world. History sleeps and we hurry toward our ends. Plus I did not want to wake my kids to say I was going. Their relative innocence, lips fluttering over crucial dream-words, seemed crucial, almost more important than whatever had just happened. This was how my psyche compartmentalized its loss, organizing its metaphysical sock drawer. If you don’t orphan the details, you won’t have to see your own orphaning. In a cold car in a parking lot in the middle of the night at that Albany airport, I pretended to sleep before my flight, enjoying the physical discomfort. No bed of nails could have been spiky enough. Already in movement I was closer to him but I still needed a physical correlate to the metaphysical dislodging death performs, some way to show my father I understood what his body might have known, despite its hyper-sedation, in all its recent injustices. 13. When I got to California, it was somehow fitting that the religious mandates around his burial kept me from seeing his body on that first day. My siblings and I sat  outside the back door of the locked, squat suburban building within which a guard sat praying over his body. We looked past native wildflowers into a valley half river-rift and half tectonic shift, with a large silver aqueduct lacking, in typical drought fashion, its water that could spill down into the canyon, exactly the kind of landscape my father would have appreciated: the grandeur of nature with a small token of failed human intervention, your archetypal Californian scene. The next day, I sat in a room in that squat building alone with his body, so oddly still and yet alive, his huge bony head looking peaceful, the love that he radiated out to so many chillingly present in the room. My youngest daughter, the firetruck lover, the three-year-old who has something of my father’s brow, had told me that morning she had glimpsed Saba walking in the house again and that, scared, she had hidden from him. The night of his death, before we knew he was dying, before I had put her to sleep in that upstate house with its tilt toward entropic custom, she had been trying to tell me, with strange insistence, that sometimes people go to hospitals and then they die. I had chalked this up to, merely, her metabolism of some talk she’d heard about a month prior. Earlier that same day of his death, I had been teaching two classes. In the first, after hearing a particular student story, I’d had an uncanny urge to tell my students the story of the death of one of my father’s closest relatives, but had suppressed the urge, as it had no obvious correlation with any pedagogical point. In the next class, I had been struck with the urge to laugh uncontrollably, much as had happened at the exact moment of death of a best friend of mine, many cities away from me, years ago and soon after the shoplifting incident, while I had been sitting in a class in a troubled Jerusalem. Perhaps these occurrences – my daughter’s insistence on the suddenness of death, the odd telegraphs I wanted to convey to my students but did not -- were nothing or perhaps they are as strong as the telephone cord. What ties the living to the dead, after a while, has mostly to do with the cord of belief, while the soul of writing will always be elegy: one uses words to create a trail back to some missing source, the platonic home you hope for but can never quite reach. Like the hundreds of unfinished highways you find in California, founded in big dreams and crashing in reality, all the roads that begin, continue, and never reach its end, this bit of writing is, perhaps necessarily, unilateral, incapable of neat conclusion. 14. I write this now from the lobby of a Cuban hotel under a statue of the one omnipresent heroic American you find here, Lincoln, the emaciated liberator, almost as ubiquitous as Che or Fidel, Bolivar, Allende, Maceo, Martí. My family, daughters and all, have been living in this country in an apartment owned by a slumlord on a street spilling over occasionally with rivers of sewage. For days at a time, we will have no water; on other days, the gas or electricity goes. To live here you live inside a national body, the scent of cologne and urinals and sugar everywhere, sugar being a useful substance for keeping a population somewhat peppy. It seems that only on certain government-decreed days, the chickens lay and you find hundreds of people gleeful as they carry gray open trays of eggs home for safekeeping. At scheduled hours, bread appears in the bakeries and every passerby hoists a triumphant loaf of fifty grams, no more and no less. Every restaurant’s menu lists tantalizing items that will never be obtained by anyone. As legend would have it, the people, however, are mostly a constant party. In this travel, its deprivations and pleasures, I seem still to be performing some kind of wake for my father, a man who always managed, in his way, to find gold in dirt. This hotel from where I write is a sybarite’s enclave in an uneasy socialist utopia. As if I have just crawled out of some gasless, waterless outback, I deeply appreciate its café con leche. The months here have made it easy to recognize travelers from Berkeley, flocked here in disproportionate number: they talk out of the corners of their mouths as if their next restless thought tugs for flight. If they are older, they are fit and wear practical many-pocketed vests and floppy hats, their gestures loose and expressive. If younger, they are tattooed, hefty in calf muscle and committed to years of travel, either as foreign guides in Latin America or still fighting the good fight for Che’s idea of the new man motivated by moral profit and not financial gain. On this early Sunday morning in the spring, over the loudspeaker comes, on endlessly hopeful loop, a Muzak version, replete with Andean pipes and a rumba swing, of the one American song ubiquitous in Cuba, The Eagles’ “Hotel California”. There she stood in the doorway I heard the mission bells ring I was thinking to myself This could be heaven or this could be hell In a purgatory of exile, movement, and endless hope, having carried no more than the government-mandated forty-five pounds of luggage into this country, light-handed and skimming the earth, I recognize: right now I am probably as close as I could possibly be to my father’s California, that rosy future and its impossible state, the one I’m pointed toward, the one that can never be. Havana March, 2011 All photos courtesy the author