Post-40 Bloomer: Anna Keesey’s Little Century

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Little Century is a book I’d recommend to anyone who embraces the dark and bright sides of life with equal gusto.
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On Loneliness: Art, Life, and Fucking Human Beings

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There are days when it seems to me that what it is to be a fucking human being is to be lonely; to be in this state of deep sadness and estrangement, and to know that there is something terribly wrong about this loneliness on the one hand, and on the other (in knowing the wrongness utterly), something also potentially beautiful.
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Post-40 Bloomer: Spencer Reece, The Poet’s Tale

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We needed such a story. The romance, the sense of “close call." We need these stories to counter the inevitability of obscurity; we need stories that kindle our sense of hope, and possibility. In truth, I wouldn’t blame fans or journalists for altering or exaggerating the story. I understand why we need it to be as dramatic as possible.
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Post-40 Bloomers: Harriet Doerr’s Impossible Perfection and Happiness

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At age 65, she re-enrolled at Stanford to finish the degree she’d abandoned 47 years earlier. Her writing teacher, John L’Heureux, was impressed by her writing and personally invited her into the Stegner Fellows program upon her graduation. Doerr published the award-winning Ibarra when she was 74 years old.
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RIP William Gay

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Nine Stories, 16 Years in the Making: Post-40 Bloomer Daniel Orozco

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Orientation is not about “alienation,” modern-day or otherwise, nor about the effects of a particular cultural transition or economic decline; it’s about loneliness. About the awful, persistent distance between you and me, between me and me, between each of us and the spiritual-whatever in the universe; all of which keeps us wondering what the hell this life is about, and how we will survive it. This seems an important distinction to me, and what has allowed Orozco’s work – some of it 16 years-old – to debut with full emotional resonance.
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Post-40 Bloomers: Giuseppe Tomasi di Lampedusa, The Last Leopard

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One indisputable factor that deprived us of more opportunities to luxuriate in Lampedusa’s gifts was a diagnosis of lung cancer at the age of 60. The diagnosis came just a few months after he finished the novel, two publisher rejections already in hand, a third which would arrive weeks before he died in July of that year.
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On Spinach and the National Book Awards

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I want to live in a world – and I believe we're closer than we think – where “the reading public” consumes, likes, and engages with many different kinds of literary nourishment; and where writers, teachers, and critics trust and even expect readers to do so.
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Post-40 Bloomers: The Stories of William Gay

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While Gay himself might prize being considered among the Southern greats, his stories of desolation and beauty -- brimming, yes, with the familiar Gothic elements of violence and darkness of hearts -- feed and trouble our souls, whether or not we come to the text already knowing the “timeless tolling of whippoorwills, both bitter and reassuring,” or have passed ugly nights in a honkytonk, or keep a rifle or a pistol (or both) under the bed (as most of Gay’s characters do). “You need to know what a man’s capable of. You need to know what things cost.”
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Post-40 Bloomers: Yvvette Edwards and A Cupboard Full of Coats

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"I suppose I qualify as a late bloomer but I don’t feel like one. The term has connotations of stagnation, finally followed by some kind of transformation. I’d probably prefer to equate myself to a fine wine or good cheese, something that takes time, passion, and dedication to mature perfectly."
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Post-40 Bloomers: “Late” According to Whom?

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I myself am hesitant to use the word “late” (or “older,” for that matter) in reference to writers over 40. Late relative to what and according to whose definition of early or on-time?
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(Re)Imagining True Lives: On Historical Fiction

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Let me just say, with as much un-dotty enthusiasm as I can muster, that I am, like, way super excited about the histo-fi seminar I’m teaching this fall, “(Re)Imagining Lives.”
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No Place Like Home

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At the risk of stating the obvious: isn’t it strange, I mean, this thing about being a human being breathing and thinking and sensing and dwelling always, always, in a place?
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Scared Straight: Writers and The New Happiness

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Whereas previous generations of accomplished writers were awash in alcoholism and cigarettes, sexual-romantic openness, spiritual misery, and financial ruin, today’s young writers are more likely to faithfully drink 8-10 glasses of water daily, be married, get 7 to 8 hours of sleep each night, and have a decent credit score.
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