Another Shade of Darkness: The Life and Work of Beryl Bainbridge

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Bainbridge had no airs about her; she enjoyed nothing more than having a drink or three at her local pub with a friend, or bumming smokes from a young interviewer while explaining how she was trying to quit by puffing on her foul cabbage-leaf cigarettes. For her, being a writer was simply about the end product, not the person behind it.
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Reading in Tongues

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Where that translator emphasized, or rather extracted and highlighted, the poetic and romantic side of Proust, reading him in French showed just how muscular, how sinewy, Proust’s prose truly is.
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The Trick of It

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Childhood and adolescence are the great gateway experiences to adulthood, middle-age, the so-called golden years, and then decrepitude. All that, waiting to be unpacked. By that time it’s too big for a backpack. We’re talking about a whole civilization you’ve buried in your backyard.
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Death in Venice? Don’t Look Now

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A movie possesses a literalness that a truly good piece of fiction doesn’t, or shouldn’t. Because we can’t, in the first instance, flip back to an earlier scene, and because it’s presumed that we’re seeing this movie for the first time at the cinema, we experience it as one continuous unspooling of narration.
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