'Frolic' is full of a neurotic vernacular of Americana that purls and perfectly personifies the sue-happy, media-soaked years during which Gaddis constructed it.
Glück's work has always “spoken” to me more than many poets because she examines the concerns I have about being in the world: loneliness and being alone, searching for happiness, and desiring to have my feelings validated, though they often aren’t.
Though many of the stories have an element of mystery, Sheehy isn’t interested in finding out who did what -- he knows the dramatic cornucopia lies elsewhere, with the living and the mistakes they have to examine in light of the dead.
No one has written a better introduction to Gass’s fiction than he does here, laying out why he wrote his magnum opus in one stark sentence: “I wrote The Tunnel out of the conviction that no race or nation is better than any other, and no nation or race is worse.”
The Englishman Sir Thomas Browne lived in an era rich in destruction, including constant European wars, plagues, fires and the regicide of Charles the First, as Browne himself witnessed. It is no wonder death and the processes of burial should be the subject of his most celebrated work.