Lost in the Land of Self-Help: Mohsin Hamid’s How To Get Filthy Rich in Rising Asia

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Hamid's flawed but beautifully written new novel follows the trajectory of a self-made man in an unnamed country.
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Drinking at the End of the World: Lars Iyer’s Exodus

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Enduring the everyday is relatively straightforward -- just keep breathing and putting one foot in front of the other -- but how to transcend the everyday, in this world neither you nor I have made?
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Shadows and Electricity: Juliann Garey’s Too Bright To Hear Too Loud To See

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Greyson Todd is a man on a wire. He has excelled as a studio executive in Hollywood, and has everything that one’s supposed to want: a kind and supportive spouse, a lovely child. Money, beautiful house, glamourous career. But he’s been hiding a bipolar disorder for two decades, and it’s getting harder and harder to breathe.
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A Year in Reading: Emily St. John Mandel

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It’s a mesmerizing, precisely-written, sad, and very violent tale, with unexpected flashes of humour.
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A Younger, Stranger America: On Harry Houdini’s The Right Way to Do Wrong

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The collection functions as a glimpse into a fascinating world of low-rent, high-risk stunt performing that’s largely faded away.
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Invisible Borders: Mohsin Hamid’s Moth Smoke

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Hamid's first novel, recently re-released, was published not long after Pakistan tested its first nuclear weapons, and the arms race between Pakistan and India form the jittery backdrop to a harrowing story of a man's descent.
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Back in the USSR: On Maurice DeKobra’s The Madonna of the Sleeping Cars

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This is the kind of book that gets described as “a delightful romp” in press materials, and that’s not an inaccurate description of a book that functions beautifully as both send-up of high society and globe-spanning adventure story, but the novel has a deathly serious core.
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Strange Long Dream: Justin Cronin’s The Twelve

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Once again Cronin has superbly handled the difficult task of writing a character-driven adventure story. The vampires remain terrifying, but they’re arguably less terrifying than the humans who have decided to collaborate with them in order to survive.
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Susanna Moore, Cheryl Strayed, and the Place Where the Writers Work

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What matters is good writing, what matters is that there are people who love books enough to press them into your hands in far-off cities. We are here for the books, but I think it’s easy to get distracted by our longing for success and forget this.
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Eating Dirt: On Charlotte Gill and the Life of the Treeplanter

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Gill’s stories are fascinating, but she is possessed of that rarest of attributes among memoirists: an understanding of her own story as only a part of a broader picture, a willingness to broaden the focus beyond the particulars of her personal experience.
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Disorientation: A Reading List

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“Do you believe," the journalist asked, "or fear, that the world is a mirage, or a hoax?”
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Everything is a Question: Jorge Amado’s The Double Death of Quincas Water-Bray

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Is he alive, or is he dead? There are moments in this very funny, very ghoulish novella when he seems definitely one or the other; other moments when he might somehow be both. He's roughly the fictional equivalent of Schrödinger's cat.
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Staff Pick: Saul Bellow’s The Bellarosa Connection

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Do the ones who save us owe us anything? The Bellarosa Connection is fascinating as a study of memory and regret.
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Dispatches from an Opium Den: Jeet Thayil’s Narcopolis

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Jeet Thayil's debut novel is an unsettling portrait of a seething city, a beautifully-written meditation on addiction, sex, friendship, dreams, and murder.
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Nanny Noir: Wolf Haas’ Brenner and God

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Simon Brenner is an ex-detective, a man in middle age who has decided after trying out more than fifty professions that he was born to be a chauffeur. Although actually, "chauffeur" doesn’t seem exactly the right word for his current employment: he’s almost, when you come right down to it, a sort of Autobahn-based nanny.
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Staff Pick: H.H. Munro’s The Best of Saki

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H.H. Munro wrote a great many light and often very funny send-ups of the stifling conventions and manners of the Edwardian age. But on the other hand, three of the first eight stories in the book involve corpses, with two of these being small children eaten by wild animals.
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Adventures in Self-Publishing: Dallas Hudgens’ Wake Up, We’re Here

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Hudgens doesn’t shy away from the brutality of life on earth -- the illness, the decreptitude, the humiliations and the teen suicides -- but the grittiness is never gratuitous, and his stories are infused with compassion and humanity.
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The ___’s Daughter

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To be clear, I think there’s absolutely nothing wrong with calling one’s book The ___’s Daughter. I think those titles have a marvelous rhythm to them. And yet one can't help but wonder why there seem to be so many of them.
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