“Even though journalism is a good profession, for me it was very constraining. It focuses on the surface, banalities, events, and I wanted to spend a longer time talking to people in depth, and to ask them about truly important things, like love, death, and war.” This interview with Svetlana Alexievich at The Nation is fantastic. Check out our own profile/interview with Alexievich from earlier this summer.
Ilan Stavans’s introduction to the quadricentennial edition of Don Quixote is available on the Literary Hub website. As he explains it, the narrative is both baffling and perfect: “What I like most about Don Quixote is its imperfection. I wasn’t wrong in my teens about the sloppiness of the writing; it is just that my attitude was too pedantic. It is, unquestionably, a defective narrative. Cervantes is often criticized as a numb and careless stylist.”
A decade before Matt Groening created The Simpsons, he debuted his first comic, Life in Hell, at a record store in Los Angeles. The strip kept running for thirty-five years, even after The Simpsons brought its creator international fame. He decided to end it earlier this year, and his fans (including Alison Bechdel) are paying tribute.
It’s been forty years since a burst of new critical attention gave Anthony Trollope a new life. What is it about him that makes his work enduringly relevant? In the latest New Yorker, Adam Gopnik argues that the author was a master of gossip. You could also read Sara Henary on the author’s two hundredth birthday.
Full Stop editor Anna-Claire Stinebring argues that Roy Lichtenstein’s art has “come full circle” thanks, at least in part, to the popularity of Mad Men and 1960s nostalgia. Matt Weiner’s drama, after all, “explores but also glamorizes the world that produced the material for Lichtenstein’s most famous paintings.”