Dave Griffith writes for The Paris Review about reading Flannery O’Connor’s “The Displaced Person,” an immigrant story set in the South, in the age of Islamophobia. Pair with Nick Ripatrazone’s Millions essay on teaching and learning from O’Connor.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
"7 Awesome Ways Barnyard Animals Are Like Communism." From McSweeneys, great literature retitled to boost website traffic.
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature's "2015 Indie Press Preview."
Brian Nitz wants environmentalists and writers to seriously consider whether the word "sustainable" is, well, sustainable. (Related: this XKCD comic)
Our friends at Electric Literature are Kickstarting Papercuts, "a party game for the rude and well-read." We would've pledged anyway, but this pitch sealed the deal: "It’s what Kurt Vonnegut, James Baldwin, and Virginia Woolf would play if they were alive, locked in a room together, and forced to play a card game." This Cards Against Humanity for the literary set will be delivered in time for Christmas, so keep it in mind for your erudite stocking stuffer needs.