“If Schiff is right to accuse us of nurturing an unrequited infatuation with what amounts to America’s first tabloid scandal, then she’s done the literary equivalent of force us into a cold shower.” The New Republic reviews Stacy Schiff’s new book, The Witches: Salem, 1692.
"To get me through a 550-page collection, the stories must be very good indeed. These are." When Lionel Shriver participated in our Year in Reading ritual several years back, she dedicated her reading diary to William Trevor, who just passed away. "Trevor’s writing is so perfect that you don’t even notice it’s perfect," she wrote. "He mainlines pure narrative directly into your veins. The words never get in the way; the words, like their author, disappear."
George Saunders shares his thoughts on writing his first full-length novel, the forthcoming Lincoln in the Bardo. As he puts it, “It’s like when you’re writing your first book, and you’re trying to figure out what kind of writer you are. This was like that.” Pair with our own Elizabeth Minkel’s piece on Saunders and the question of literary greatness.
Considering his experience as a musician and comedian, it makes sense that Jacob Rubin wrote his new novel about a performer. The Poser depicts the tumultuous career of a talented impressionist. At Bookforum, Rubin talks about the novel, his career as a screenwriter and his knack for impressions as a child. You could also read his interview with Reif Larsen here at The Millions.