When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
After securing the necessary funds on its Kickstarter page, and after enduring Lindsay Lohan’s trademark version of “professionalism,” The Canyons looks like it will finally be released next month. The film, which was written by Bret Easton Ellis and directed by Paul Schrader, got its first official trailer this week.