I’ve written before about Literary Enemies, a series at the Ploughshares blog in which two writers are shown to have opposing sensibilities. This week, Lily Meyer argues that Flannery O’Connor and Marilynne Robinson are a worthy addition to the series, as the former contracts narrative space and the latter expands it. Sample quote: “It seems to me that Marilynne Robinson’s project, in her books suffused with Protestant belief, has nothing to do with Jesus or with God.”
A young Apollo, golden-haired, Stands dreaming on the verge of strife, Magnificently unprepared For the long littleness of life. See the poet (in later life) here; and the poet-soldier about whom she wrote, here. michael kors outlet| toms outlet | cheap ray ban sunglasses | coach outlet | ray ban wayfarer | coach factory outlet
What do you call a genre that mixes westerns and fantasy novels? Damien Walter proposes the term “weird western.” In The Guardian, he runs down the history of the hybrid category, citing Joe Abercrombie’s Red Country and Molly Tanzer’s Vermillion as examples. Pair with Daniel Kalder on the Euro-Western.
"Riordan’s books prompt an uneasy interrogation of the premise underlying the 'so long as they’re reading' side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes." In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.