“They were town men. The sheriff and the other four went into his shack. One of them was Hines, the undertaker. They were in there for some time. They even opened the stove and dug through the ashes.” Stephen King has a story in this week’s New Yorker.
“The idea was that whatever I felt or did resonated in life, caused people pain or happiness. This gave me a feeling of huge responsibility even as a child – to the extent that sometimes I had to block my own feelings or wishes. When I started writing fiction, suddenly I was allowed to do what I wanted.” Talking with Etgar Keret.
"These stories feature hookups and breakups, substance abuse, and violence so casual it’s as natural as jagged breathing." Electric Literature has an interview between flash fiction author Len Kuntz and critic and writer David Galef, whose Brevity: A Flash Fiction Handbook was just published by Columbia University Press. The two discuss the state of short fiction, their favorite one-line stories of the year, and how, even in the briefest of narratives, readers should still "feel a connection to the story and characters." For more ultra-lean tales, see our own Emily St. John Mandel's review of Hint Fiction, an anthology of 25-words-and-under short stories.
It's a brand new week and Football Book Club is reading Ray Russell's The Case Against Satan. For those of you scoring at home, that's an exorcism novel written by a former executive editor of Playboy. Plus posts about Elizabeth Kolbert's The Sixth Extinction and Carmen Giménez Smith’s Milk and Filth.
“I could measure my progress with metrics like number of scabs collected, number of inches ollied,” writes Nick Courage, in his great piece about rediscovering skateboarding in his thirties. “There was an objective truth to the sport; unlike my writing, my powerslides were self-validating.”