“Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income.” Electric Literature has compiled the “The Ten Ways Your Life Will Change After You Publish Your First Book,” so you can’t say you weren’t warned.
Cormac McCarthy's written a spec script about "a respected lawyer who thinks he can dip a toe in to the drug business without getting sucked down." I think we all know where that's headed.
"Home is the place where there is someone who does not wish you any pain." Stop what you're doing and go read this interview with Darryl Pinckney, author of Black Deutschland, over at The Rumpus. Here's a great Millions essay on Christopher Isherwood's Berlin Stories, which serves as a sort of (misguided) guide map for the protagonist of Black Deutschland.
“I am very fortunate to be involved in a number of supportive communities who rally when things like this happen – but rarely do I laugh quite as hard as I did when reading Avid Reader’s responses.” The Guardian has the uplifting story of how an independent Australian bookstore "took on anti-feminist trolls and won." If for some reason, after reading that, you want to wade into an equally polarized comments section, scroll down to the conversation following Daniel Jose Ruiz's recent piece on geekdom and race.
Jonathan Franzen spent the first half of his life thinking about literature, now he plans to devote the other half to birds. It looks like Freedom is becoming reality as he puts on his bird-watching binoculars again to discuss the “appalling” songbird hunting in the Mediterranean for National Geographic.
"What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families." On Philip Roth and Newark, NJ.