“It’s not often one gets the opportunity to take a course on a major literary movement taught by a founding member of that movement,” but Allen Ginsberg‘s lectures on “the literary history of the Beats” are now available online via Open Culture.
“[A]n audio odyssey through fiction, archival tape, interviews, and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting-edge writers of our time. Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more!” Did you know The Paris Review has a new podcast? See also: our interview with current TPR editor Lorin Stein.
"A trip to the 21st century. Prague, maybe, or London, some big city where he can wander around being a bored tourist, snapping his gum, picking his nose in cathedrals, snapback on crooked and hopping from foot to foot, looking for a basketball court." Thats what it would look like if Achilles (and other sad literary characters) got the holidays they deserved.
Recommended Reading: This interview from Full Stop with Lisa Hanawalt, producer and production designer of the Netflix series BoJack Horseman: "We aren’t supposed to openly discuss shitting in polite society, so making artwork that frankly portrays it is titillating. I think it’s called 'desublimation' in fancy art-school terms, but it’s going back to a childish, playing around in our own muck state, and that’s why it’s as fun and appealing as it is repulsive."
In conjunction with the new documentary film “The Black Power Mixtape 1967-1975” (reviewed by our own Bill Morris last week), New York’s Third Streaming Gallery will be hosting a conversation on the role of art and artists in contemporary cultural activism. The discussion will be held tonight at 7pm, and it will include Rico Gaston, Jacqueline Hoang Nguyen, Donna Murch, and Minkah Makalani.
“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.