Recommended Reading: Dean Young’s poem “Why I Haven’t ‘Outgrown Surrealism,’ No Matter What That Moron Reviewer Wrote” for Plume.
Out this week: Trigger Warning by Neil Gaiman; There’s Something I Want You to Do by Charles Baxter; Bon Appétempt by Amelia Morris; The Nightingale by Kristin Hannah; The Kind Worth Killing by Peter Swanson; The Marauders by Tom Cooper; We Are Pirates by Daniel Handler; A History of Loneliness by John Boyne; Holy Cow by The X-Files star David Duchovny; and Get in Trouble by Kelly Link. For more on these and other new titles, check out our Great 2015 Book Preview.
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
At Big Questions Online, Alan Jacobs discusses the incivility that online discussions are prone to and suggests that this e-savagery is a symptom of our age's infatuation with justice rather than humility and charity.
"These stories feature hookups and breakups, substance abuse, and violence so casual it’s as natural as jagged breathing." Electric Literature has an interview between flash fiction author Len Kuntz and critic and writer David Galef, whose Brevity: A Flash Fiction Handbook was just published by Columbia University Press. The two discuss the state of short fiction, their favorite one-line stories of the year, and how, even in the briefest of narratives, readers should still "feel a connection to the story and characters." For more ultra-lean tales, see our own Emily St. John Mandel's review of Hint Fiction, an anthology of 25-words-and-under short stories.
Here are the first lines of the new Gary Shteyngart novel, Super Sad True Love Story, forthcoming in July: "Today I've made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off."
“Still, it’s difficult to know whether [Shel] Silverstein, who died of a heart attack in 1999, after keeping out of the public eye for more than two decades, meant for us to read the book so conclusively. His biography and body of work suggest a subtler, and, in the end, perhaps an even more troubling, way of looking at it.” Ruth Margalit on The Giving Tree.