“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
Yamaguchi-gumi Shinpo, the largest Yakuza faction, has decided to start its own magazine focused on “haiku poetry, articles on the innocent pursuit of angling and entreaties to its readers to perform good works” among other things. Related: recently photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai.
"The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision." In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
Adonis, the great Syrian poet, has reproduced and adapted one of the ancient Muallaqat (The Suspended Odes) originally written by Zuhayr. The reproduction is hand-written on a scroll of paper, and then painted on, thereby “creating a new and contemporary interpretation of the text.”
“It’s strange to keep confronting, in these stylistic ways, how you were constructed. What you were constructed to be in the world.” Margo Jefferson sits down with BOMB Magazine to discuss feminism, class, and her memoir, Negroland. Our own Michael Bourne writes on the art of memoir.