In 1962, Samuel Beckett wrote “Play.” Originally intended to be a stage production, the piece has now been adapted as a short film starring Alan Rickman, Kristin Scott-Thomas and Juliet Stepherson. Come for the Beckett writing (full text can be found here), but stay for the disembodied heads-in-urns.
Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
Last week, I pointed to former Millions-er Emily M. Keeler’s review of Wolf in White Van, the new novel by John Darnielle of The Mountain Goats. Now, at Slate, Carl Wilson offers his own praise of the book, which he describes as “not the kind of rallying cry or dark comfort that Mountain Goats fans are used to, but a complex meditation.”
Kurt Vonnegut famously wrote that all semicolons do is “show you’ve been to college.” What to make, then of The Lonely Island’s raunchy new song about their favorite punctuation mark? (For the record: Jorma Taccone attended UCLA; Akiva Schaffer attended UC-Santa Cruz; and Andy Samberg attended UC-Santa Cruz and NYU.)