According to sources for Vulture, HBO has ordered a television pilot based on Tom Perrotta’s The Leftovers, which “takes place in a world still reeling from a Rapture-like event three years earlier.” The project will be managed by Lost co-producer Damon Lindelof.
"Long before feminism made fashion a guilty pleasure, my first experience of the sisterhood among strangers took place in a communal dressing room." Judith Thurman writes for The New Yorker about Women in Clothes and her experiences in thrift stores and clothing swaps. For more about the connections between feminism, dressing and literature, check out Rachel Signer's Millions review of the same anthology.
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.
We are all by now familiar with J.K. Rowling's elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let's say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”