A state of shock.

August 17, 2012

When a professor of literature wrote Flannery O’Connor for a master key for interpreting her story, “A Good Man is Hard to Find,” he probably did not expect her particularly unimpressed reply: “Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it.”  (Via the ever-excellent Letters of Note.)

is the editor of Little Brother Magazine, and the #LitBeat editor for The Millions. She also acts as the Toronto editor for Joyland. And she tweets, too.

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