If you’ve ever heard that literary skill is synonymous with a good memory, you’ve likely bemoaned your own forgetfulness, especially when it comes to important things. Tim Parks felt the same way, until he read a new book on forgetting, which led him to wonder how much knowledge we can retain. In The New York Review of Books, he tackles the paradox of the reader’s memory. You could also read our own Mark O’Connell’s review of Parks’s book Italian Ways.
"As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology." Marco Roth questions the rise of the "neuronovel" at n+1.
Still deciding what to do this Friday night? Watch PBS's new documentary on Alice Walker, Alice Walker: Beauty in Truth, at 9 p.m. EST. At The Daily Beast, Agunda Okeyo discusses the history of the film's production, which took six years. "Stories about women of color told by women of color are sidelined and neglected in favor of our stories being told by white women and men," director Pratibha Parmar says.
Is it possible to share something with a "maybe don't read this" tag attached? The literary internet has been buzzing today over the moral implications of stripping a writer (and, by association, a human) of their anonymity after this piece on Elena Ferrante was published in the NYRB. Read it or don't read it, but definitely read her work.