The copy of Shakespeare’s works disguised as a Hindu religious text and read by imprisoned Nelson Mandela will go on display for this first time later this summer.
Over at Catapult, Lynn Steger Strong writes on writing a novel that readers will read. As she puts it, “I was trying to explore the specific experience of living in the world while also living largely, sometimes to one’s own detriment, inside of books, inside one’s head.” Also check out this Millions piece, featuring six writers looking back on their first novels.
Our friends at Electric Literature are Kickstarting Papercuts, "a party game for the rude and well-read." We would've pledged anyway, but this pitch sealed the deal: "It’s what Kurt Vonnegut, James Baldwin, and Virginia Woolf would play if they were alive, locked in a room together, and forced to play a card game." This Cards Against Humanity for the literary set will be delivered in time for Christmas, so keep it in mind for your erudite stocking stuffer needs.
At 1,700 words, J.K. Rowling’s new “History of the Quidditch World Cup” may not be as daunting a read as J.R.R Tolkien’s The Silmarillion, but what it lacks in length it makes up for in its appeal to ardent fans. At Slate, a brief look at the Wizarding World’s latest reference book.
Joshua Rothman writes for The New Yorker about Virginia Woolf, Mrs. Dalloway, privacy and "a gift that you’ve been given, which you must hold onto and treasure but never open."
"I always think, 'What if I can’t?' Then I always think, 'Oh shit, don’t think that.' Because thinking about it can make it happen. Not like it’s happened that often. But I get scared about it. We all do. Anybody that tells you they don’t they’re full of it. They’re always scared it might happen." There's a lot of really bad writing about sex. This is a piece about some of the good stuff.