“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.
William Carlos Williams's birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that "today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists" Kirsch still has to face the question, "why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?"
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing "some of the best writing today" and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).