During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.
New this week: The High Mountains of Portugal by Yann Martel; The Book of Memory by Petina Gappah; Youngblood by Matthew Gallagher; Black Deutschland by Darryl Pinckney; The Collected Novellas of Stefan Zweig; A Decent Ride by Irvine Welsh; Don't Lose Track by Jordannah Elizabeth; and The Queen of the Night by Alexander Chee (who we interviewed this week). For more on these and other new titles, go read our Great 2016 Book Preview.
Sometimes, Virginia Woolf took a break from her busy schedule of constant brilliance in order to write children's stories for her nephews' newspaper, The Charleston Bulletin. A taste: "When in a good and merry mood Trisy would seize a dozen eggs, and a bucket of flour, coerce a cow to milk itself, and then mixing the ingredients toss them 20 times high up over the skyline, and catch them as they fell in dozens and dozens and dozens of pancakes."
Over at Brooklyn Magazine, Molly McArdle writes on J.K. Rowling’s ever-expanding universe. As she puts it, “New canonical information flows from: Pottermore, the fictional universe’s official website; Rowling’s Twitter account; interviews; a forthcoming movie trilogy; and now two plays, Harry Potter and the Cursed Child, produced in tandem in London with scripts available for sale in a single volume worldwide. This is Harry Potter’s long, strange afterlife. Or maybe it’s more like an undeath.” Pair with Janet Manley’s Millions essay on The Cursed Child and British humiliation.
New this week is Nobel Laureate Orhan Pamuk's Silent House. Also hitting bookshelves are Heroines by Kate Zambreno, The News from Spain by Joan Wickersham, and more posthumously published work by Kurt Vonnegut. In non-fiction, there's There Was A Country: A Personal History of Biafra by Chinua Achebe and Short Nights of the Shadow Catcher, National Book Award and Pulitzer Prize-winner Timothy Egan's biography of Edward Curtis.
N+1 takes the brave step of making all more of its content available online, at a snazzily updated website. You might start with Mark McGurl's knockout piece on Zombie novels, a fitting companion to our own Emily W.'s recent work on vampires. Remember, though: subscribing "is the right thing to do."