“I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting.” The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.
“I came back to my studio and tried to think of the slowest possible way to write a novel, and the slowest way is with frosting.” The Paris Review interviews cartoonist Lynda Barry about writing novels with a paintbrush.