William Blake may have described its “green and pleasant land” but this week England had traded green for white, as you can see in this NASA photograph (c/o Gizmodo).
In The New York Times Magazine, Heather Havrilesky cautions against "The Divorce Delusion," or one of modern drama's most unrealistic tropes. "Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell," she writes, "that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm."
The Hunger Games raked in $155 million in its opening weekend. That makes it the highest-grossing non-sequel debut of all time. Over at Salon, Laura Miller tracks the steps that led to the blockbuster's mammoth success.
Rebecca Makkai shares the events that we can’t miss at AWP. I’m looking forward to the LA Law Karaoke Costume Party at the Santa Monica Pier, sponsored by VIDA and Pen America, featuring Mary Oliver and Kesha. Tod Goldberg’s dispatch from AWP in 2013 is a nice supplement to the piece.
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
Out this week: The Color Master, a new short story collection by Aimee Bender; an English-language translation of The Infatuations by Javier Marias; and Brief Encounters with the Enemy, the new Saïd Sayrafiezadeh book that Scott Cheshire reviewed for us on Monday. Read more about these and other releases in our Great 2013 Second-Half Book Preview.