Pocket Classics on the Cheap

January 4, 2007 | 2 min read

Longtime Millions reader Laurie writes in with news of a sale on classic lit at Barnes & Noble. These Barnes & Noble-branded editions are sometimes criticized for cannibalizing the editions of other publishers because the chain store offers them so cheaply. Then again, some might argue that cheap books (and especially cheap classics) are always a good thing. It appears that the series Laurie mentions is now sold out (at least on the B&N Web site), but I thought the issues Laurie raised about the series interesting enough to merit posting anyway. Laurie writes:

Here’s another item for your “book deals” section, if you’re comfortable with it (I have no affiliation with this publisher; I just like a bargain. Comments on the moral dimensions welcome.):

Barnes & Noble publishes their own editions of classic literature. One series, the “Collector’s Library,” focusing mainly on works of the 19th century, went on sale the day after Christmas. Each pocket sized (6 inch x 4 inch) edition is hardbound in red cloth with an attached red ribbon placeholder held in firmly a stitched binding (at least it appears well-made) that also holds the printed work in small but sharp type, on good quality, gilt-edged paper. These little books look good and feel nice. Marked down from $5 or $6, which was already cheaper than most paperbacks, they are now marked for clearance at $2.00 each. About the worst thing you can say about them is that the striped dustjackets are pretty unimaginative. Want a copy of Moby Dick or Treasure Island, though, that can fit in the back pocket of your jeans and that also looks nice on a bookshelf (probably sans dustjacket)? Scour your local B&N — they’re going fast.

Two further notes about this series:

B&N’s choice of titles here is pretty eclectic — of the 65 or so I could find (they have no published list of all the titles and have not yet responded to a request for such a list), they’ve published Tolstoy’s Anna Karenina but not his War & Peace; Dickens’ Great Expectations but not David Copperfield or Oliver Twist; Leaves of Grass by Walt Whitman, but no other poets of the era (Tennyson was incredibly popular but appears left out, ditto Byron, Shelley, Browning, Wordsworth, etc.), the French Revolution drama A Tale of Two Cities is present but not Les Miserables. On the plus side, there’s a good mix of adventure (Treasure Island, Three Musketeers, Ivanhoe), horror (Frankenstein, Dracula, Phantom of the Opera), and human interest (Little Women, Sense & Sensibility, The Scarlet Letter), among others.

The books are printed in China, which probably accounts for their cheap price, but that may be objectionable to environmentalists (industrial waste laws are weaker there) or supporters of U.S.-based printers. Or it may be a moot point – just what percentage of American books are printed overseas these days anyway?

created and edits The Millions. He is co-editor of the collection of essays The Late American Novel: Writers on the Future of Books, called "funny, poignant, relentlessly thought-provoking" by The Atlantic. He and his family live in New Jersey. If you'd like to correspond, please don't hesitate to email.

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