I finished the book yesterday during a long afternoon spent in bed recovering from my illness. It was an especially fitting setting. The Great Fire is full of languid afternoons and young men beset by obscure diseases and weary from the war. I enjoyed the setting; the sense of war nearby, war recently ended and perhaps soon to be reignited. It was like a less bleary version of Hemingway’s The Sun Also Rises it also reminded me a lot of the film Casablanca, but maybe just because I happened to watch it around when I started reading the book. The book revolves around a couple of former soldiers, Aldred Leith and Peter Exley, who have been cast far and wide, to Japan and Hong Kong respectively, in the aftermath of World War II. They are surrounded on all sides by others, women and older folks, whose lives have been similarly touched by the war, and all of whom seem to be searching in vain for normalcy in the aftermath of shattering conflict. The central drama of the book concerns a budding love affair between Leith and a student of his, Helen Driscoll. Helen’s dull and menacing parents as well as the vast age difference between Aldred and Helen set up what turns out to be a fairly filmic love story. The chief drama for the reader lies both in wending one’s way through Hazzard’s elliptical, lyrical prose and in wondering whether or not the May – December romance will ever be consummated.
My Review of The Great Fire by Shirley Hazzard
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In a novel where sisterhood entails constant conflict, illness provides an unexpected emotional salve.
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At Long Last, a Translation Worthy of ‘Pedro Páramo’
The latest translation of 'Pedro Páramo' is a mystifying work, in the dual sense that it is confounding and that its language possesses an almost mystical quality.
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The Collaborative Alchemy of W.G. Sebald’s Photographs
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Kelly Link’s Romantic Imagination
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The Everyday Horror of ‘Other Minds and Other Stories’
In someone else’s hands, these stories might be little more than typeset urban legends, the stuff of 2000s-era AOL email chains, but Sims renders them as something both terrifying and mesmerizing.
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The Violent Truths of ‘Brutalities’
The impulse to simplify the complicated nature of touch, argues Margo Steines, is not just an intellectual but an ethical failure.
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The Truthful Distortions of ‘The MANIAC’
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The Visionary Memoirs of Péter Nádas
'Shimmering Details' is a delicate fusion, supplementing the high-modernist realism of Proust and Musil with an expressionist’s commitment to the distortions generated by strong feeling.
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